Horst P. Horst Furniture

Another original 8 x 10 black-and-white photograph by world, renowned photographer, Bruce Bellas AKA Bruce of L.A. we have sold many on 1st Dibs from our personal collection of 40+ y...

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style. Signed black-and-white pigment print on Canson Platine paper, 16 x 20 in.; hardcover volume in a slipcase, 9.8 x 13.4 in., 6.29 lb., 388 pages. Whether it’s diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches, or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “ice” has become a proclamation of identity and self-expression. Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

Diana: The Portrait by Rosalind Coward, Foreward by Nelson Mandella. Published by Andrews McMeel Publishing, 2004. 1st US Ed hardcover with dust jacket. "The tragic death of Diana, Princess...

Jan Saudek, Silver Gelatin Print, "The Virgin" limted edition. This is print no. 5/15 Title : "The Virgin" Numbered with # 360 and limited edition Written on reverse by hand of Jan Saudek" Edition of this print is limited to 15 (fifteen). This is print nr. 5 (five) Print finished May 3 1890 (Jan dated his work 100 Years earlier) Signed by Saudek, with pencil in lower right Silver gelatin print, model print Hand colored Measurement: 40,4 cm wide x 29,2 cm high The photograph is not framed Jan Saudek dated all his work 100 Years earlier Jan Saudek, Czech photographer 1935: born in Prague 13.5.1935 1950: he gets his first camera KODAK BABY Brownie - first photographic Attempts 1952: apprenticed to a photographer, he worked as a printing shop worker until 1983 1959: he uses "real" camera Flexaret 6x6, he is also drawing and painting 1963: for ever influenced by the catalogue of the magnificent photographic exhibition "Family of Man" (Edward Steichen) 1972: he finds his typical WALL composition, which became a sort of projection screen for his figural scenes. 1981: appears his first monography "Il teatro...

Jan Saudek, Czech photographer, born 1935 Original silver Gelatin print, photograph Title: "My favourite portrait of mother & daughter" # 876 2nd print of negative Model vintage pr...

John Kacere nude prints, American, circa 1970s. The top print measures 18.25" H x 27.5" W. The bottom left measures 15" H x 23" W. The bottom right measures 14.75" H x 22" W. They ha...

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style. Signed color inkjet print on archival paper, 16 x 20 in.; hardcover volume in a slipcase, 9.8 x 13.4 in., 6.29 lb., 388 pages. Whether it’s diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches, or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “ice” has become a proclamation of identity and self-expression. Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B...

This silver gelatin photograph was printed in New York City in the 1990s from the original negative. George Platt Lynes (1907 to 1955) was a legenda...

Title: Gabrielle Coco Chanel Print: Platinum palladium print, printed on Strathmore cotton paper Date: circa 1937 Signature: Signed Horst in Pencil on Recto and Vesrso Created at the height of her fame this is one of the most beautiful photographs of Coco Chanel in which Horst reveals her gentler side. Horst's arrangement of the furnishings, fabrics and lighting creates...

Pair of ancient Greek men statues photographs with frame and glass. Beautiful border details and colors.

This silver gelatin photograph was printed in New York City in the 1990s from the original negative. George Platt Lynes (1907 to 1955) was a legenda...