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Mark Lembo
Serpentine

2021

About the Item

About the piece: - Single white mat. 20Hx16W - Acrylic ink and watercolor on paper, 2021 Words that describe this piece:abstract, intuitive, outsider, bright, yellow, gold
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    About the piece: Oddly enough, I was quite happy that day. Words that describe this piece:outsider, blue, monochrome, action, dynamic Artist Biography: Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert Burridge...
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    Located in Boston, MA
    About the piece: - Single white mat. 20Hx16W - Acrylic ink and watercolor on paper, 2021 Words that describe this piece:abstract, intuitive, outsider, bright, yellow, gold Artist ...
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    About the piece: Floreo, "Flower" in Spanish, has special meaning in flamenco dance. Words that describe this piece:outsider, intuitive, blue, monochrome, dynamic, action, flamenco, movement Artist Biography: Mark A. Lembo Script M Abstract Art Mark’s dynamic work blurs the distinction between alcohol ink and watercolor - working with dyes, inks, liquid acrylic, liquid watercolor, and other aqueous media; lately, he has been incorporating metallic watercolor and pearlescent ink to his work. He has used canvas, synthetic Yupo™ paper, Yasutomo Mineral Paper, and various watercolor papers. Mark’s journey into the world of creative arts started with the question, “What would Jackson Pollock’s work look like if he had used transparent watercolors?” So, it was out with the pencils, pens, and brushes, and on to the pouring of various aqueous solutions. While mostly self-taught, Mark took a series of classes at the Creative Arts Group, Sierra Madre, CA, under Joe Stoddard, as well as seminars with Robert...
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