Corne Akkers

Neo Deco – 02-02-23, Drawing, Pencil/Colored Pencil on Paper

2023

A Second One This graphite pencil drawing ‘Art Deco Nude – 06-08-22’ follows one day after the first, done with my new pencils. In fact, immediately after the completion of the first one I started the second in my studio at Brugman Art. However, finished a day later but within an hour in total. Surely this shows my enthusiasm. The Pitt Graphite Matt pencils and the Ingres paper to me are a perfect match. You have to know that I like to search for new ways to quickly put my ideas on paper. Charcoal simply is too stainy, even though it is quick and easy to correct. Pastel is also quick but falls off the Ingres paper quite easy without fixation. They are not very handy to carry around in my backpack as well. Pencils I easily can carry with my in my handy Derwent pencil folder. Deco Again This Deco title is a bit of a laugh really. Art Deco is a pre World War II art...

Third One This drawing ‘Art Deco Nude – 20-08-22’ is the third one in a row inspired by a Walter Bird photograph. However, after the last graphite pencil drawing ‘Roundism...

Movement Another graphite pencil drawing ‘Art Deco Nude – 23-08-22’, inspired by again a smashing picture by Walter Bird. The last drawing shows a seated lady. Contrasts are always on my mind though. Not in the style but in movement this time. What attracked me in the motif was the angular position of the female form. I am not sure whether she stood still like this but it looks like some ritual dance. I can ask my Spanish model Julia who is a dancer to strikes these kinds of poses. All induced by Walter! Extrapolate Them The bodily features almost took up a perfect square. However, I wanted to make sure I wasn’t going to end up with too much negative space around her. Therefor, extrapolating her features into the negative space came to my aid. The planes that are born from this process support the overall expression of her moves, I think. Some of them I hached up to complete darkness, other to midtones. Vice versa I did in the positive form as well. The most contrasting tonal values (completely light / dark) I placed within the body. I wanted only mildly distracting or diffuse the viewer’s attention. This way I found a perfect balance. Emotional and Expressive Someone on called...

A New Year and Resolutions This graphite pencil drawing ˜Neo Deco “ 05-01-23 is the first of 2023. Last year I concluded with another work in the roundism sty...

Christmas Time This graphite pencil drawing ˜Neo Deco “ 25-12-22 follows shortly after Roundism “ 22-12-22. Its Christmas and I have plenty of time for drawin...

Just Another Artistic Motif This graphite pencil drawing ˜Venus Lamenting “ 13-01-23 is a special one. It is an indictment of prudishness. My second to last one ˜Roundism “ 30-12-22 apparently shook up a bunch of people. Comments varied from great to ˜yet another tit pic. There also were prudes from various countries who scorned me for the subject nudity anyway. Throughout the years I became used to these reactions somehow. I also take into account the fact people from each and any nation are present on social media nowadays. With this variety comes a whole set of different opinions and views of life. I cherish them all. That is, as long as they cherish my opinion back. If they dont, then this art statement is for all those who lack the word reciprocity in their dictionary. Climbing the Barricades Personally I think the nude can be as much an artistic motif as any other. In fact I dont complain in the least about a world of other motifs. One could like to depict golden retrievers, red roses and other darling, save and sound themes. I see them on a daily basis on Instagram and Facebook among others. I probably wouldnt have made a big fuss because of contempt shown in the past. Thats what an artist is all about. I even like to provoke with my nudes a bit. A bit of sexiness but not too much. Just to be able to deny the presence of too much of it by underligning artistic aspects as well. Hmm, a bit of risque here an there. I love it! Why climb the barricades once again? Heres why. ArtKitchen In a dutch paper, called ˜NRC there was this item on Jeannette Dekeukeleires. She is the gallery owner of ArtKitchen in Amsterdam, known for its stimulating and provocative art...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Famille e bebe pencil and watercolour on paper 3.3/4 x 4.5/8 in. (9.5 x 11.2 cm.) It is possible that this is a scene influen...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Turkish bath scene in Istanbul Watercolour/ gouache and pencil on paper 5.1/2 x 8.1/2 in. (14 x 21.4...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Decorative Squirrel Design by Georges Manzana Pissarro (1871-1961) Pencil and watercolour on paper 45.4 x 32.4 cm...

Preliminary Study for Cretan Dancer Bronze Graphite on tracing paper, 1930 Unsigned Note: The bronze sculpture measures 24 1/2 x 33 5/8 inches and is signed and dated 1930 on the base (see image on right). It is currently being offered for sale by Taylor Graham Gallery in New York. (see photo) “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Image size: 6 1/2 x 6 1/2 inches Condition: Repaired tear in the lower left corner (see detail photo) Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of...

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 57 of the book. This rare original 1973 drawing was used to create the poster for the Art Deco masterpiece in New York City, Radio City Music Hall. In 1973 The New York City Art Deco Exposition was held at Radio City Music Hall in New York to celebrate the extravagant re-opening and renovation of The New York City art Deco landmark Radio City Music Hall after an extensive renovation. I have also included a photo of the poster to show what the printed poster looked like, the color poster is not included in this sale. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. This is the first time that this rare original one of a kind drawing has been available for sale since it was first created over 40 years ago. This is the actual drawing that was presented to approve the poster art. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters...

Original Vintage 1920's Ink and Watercolor Fashion Illustration by listed New England artist Harriette (Nutting) Cooper (1901 - 2002). The illustration depicts a lovely young flappe...