John Dronsfield

20th Century British Theatre Costume Design by John Dronsfield

1935

OLIVER MESSEL (1904-1978) Egyptian Costume Design for Caesar and Cleopatra - 1945 Signed l.r.: Oliver Messel Watercolour and chalks heightened ...

JOHN DRONSFIELD (1900-1951) Costume Design Signed l.l.: Dronsfield Watercolour and pencil Unframed 42 by 34 cm., 16 ½ by 13 ½ in. (mount size 61.5 by 53 cm., 24 ¼ by 21 in.) John...

JOHN DRONSFIELD (1900-1951) The Duet Watercolour and pencil Unframed, in mount only 32.5 by 26 cm., 12 ¾ by 10 ¼ in. (mount size 45.5 by 39 cm., 18 by 15 ¼ in.) John Marsden Dron...

OLIVER MESSEL (1904-1978) Blue Costume Design for Vivian Leigh in Caesar and Cleopatra - 1945 Signed l.r.: Oliver Messel Watercolour and chalks heightened with white and gold pain...

SIR CECIL BEATON, CBE (1904-1980) Ballet Costume Design for Le Pavillon - 1936 Signed l.r.: Beaton Watercolour, bodycolour and ink 49 by 39 cm., 19 ¼ by 15 ½ in. (frame size 70.5 ...

OLIVER MESSEL (1904-1978) The Medium – Costume Design for Peter Glenville’s Rashomon, Performed at the Music Box, New York, 1959 Signed l.r.: Oliver Messel and inscribed u.r.: The...

Portrait. 1966. watercolor on paper, 35.5x30 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside...

This small watercolor painting by Anna Palm de Rosa, titled "Coach and horses at full speed, Boulogne-sur-Seine," is a vibrant and dynamic piece that captures a moment of speed and elegance from the past. The scene is set in what was known then as Boulogne-sur-Seine, now Boulogne-Billancourt, prior to its name change in 1926. The artwork is only like a postcard and depicts a horse-drawn carriage in full gallop, stirring up a cloud of dust along the gravel path. This sense of motion is further emphasized by one of the ladies on the carriage, who is seen clutching her hat, a detail that adds a personal touch to the scene and underscores the speed at which they are traveling. The artist's ability to capture such a fleeting moment, with the horses' hooves barely touching the ground and the dust cloud swirling around, is a testament to her skill and the liveliness of her compositions. Anna Sofia Palm...

Masterful Scottish watercolor landscape of Loch Tay with boats and small figures on the short by Aaron Edwin Penley (English, 1826-1897)....

Watercolour on handmade paper possibly of a 'Fang' figure applied to Vélin d'Arches paper by French artist La Roche Laffitte. A beautifully observed and detailed study of a Fang figure in muted brown on high quality hand-made paper. An extremely chic and elegant watercolour. This contemporary artist, born in 1943, specialises in watercolour studies on hand-made paper. With his highly detailed and precisely painted studies he invites us into the magical world of cultural objects, flora and fauna. The treasures of nature along with tribal regalia is his main inspiration. All of his work is beautifully observed and executed down to the smallest detail. The Fang are a major ethnic group of Central and West Africa and form part of the population of Gabon, Equatorial Guinea, and Cameroon. They produce monumental anthropomorphic wooden statues, used for ritual purposes, with an aesthetic that was admired from the late nineteenth century onwards by such famous modern artists as Pablo Picasso, Georges Braque, and André Derain. Fang sculptures...

This artwork titled "Lily" c.1990, is a watercolor on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed at the lower right corner by the artist. The artwork (image) size is 10 x 28 inches, framed size is 17.25 x 35.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

This artwork "Untitled (Coastal Scene)" c.1990, is a watercolor on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed at the lower right corner by the artist. The artwork (image) size is 10 x 28 inches, framed size is 17.25 x 35.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some minor rubs and scratches. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese...