K.G. Subramanyan

Devi, Watercolour on Paper, Blue, Brown by Modern Indian Artist "In Stock"

2015

Sakti Burman - Untitled Watercolour on Paper 26 x 20 inches, 1960 Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des ...

Sakti Burman - Untitled Watercolour on Paper 26 x 20 inches, 1960 Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des ...

Sakti Burman - Kamdhenu Watercolour on Paper 14 x 20 inches Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des Beaux ...

Laxma Gaud - Untitled - 5.5 x 7.5 inches (unframed size) Watercolour on Paper Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour, goua...

Sunil Das - Head, Ink & Watercolour on paper - 11 x 17.25 inches (unframed size) Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Ex...

Sunil Das - Untitled - 23 x 16.5 inches (unframed size) Ink & Watercolor on paper Inclusive of shipment in ready to hang form. In the mid sixties again he explored diverse cults of popular ritual for pictorial ingredients of an evocative mystic symbolism. An ink-and-wash of 1965 features a figurative image of ambiguous connotation. The motif looks like a cult image worshipped by people practising primitive religion. A squat but monumental figure, it has for each hand several reptilians snaking down from shoulder to the finger-tips, for legs a pair of beastly fore-paws and its dark oval totemic frame...

Donald Stacy "Mark" c.1950s Oil pastel and gouache paint on paper 14x17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of ...

Eugene Higgins In Foreign Parts, circa 1913 Signed lower right Watercolor on paper Sight 17 x 13 inches Born William Victor Higgins in 1884 to a Shelbyville, Indiana farm family where the only art Victor was aware of as a child was his father's love of flowers. "He loved their forms and their colors, and he tended his garden as a painter might work a canvas." At the age of nine, Victor met a young artist who traveled the Indiana countryside painting advertisements on the sides of barns. He purchased paints and brushes so the young Higgins could practice his own artwork on the inside of his father's barn. He also taught Victor about art museums and especially about the new Chicago Art Institute. This information never left the young artist, and he saved his allowance until his father allowed him at the age of fifteen to attend Chicago Art Institute. He worked a variety of jobs to finance his studies both there and at the Academy of Fine Arts. Victor Higgins traveled to New York in 1908, where he met Robert Henri, who became a significant influence by depicting every-day scenes and stressing the importance of the spirit and sense of place as important factors in painting. Higgins was also greatly affected by the New York Armory Modernism Show of Marsden Hartley in 1913. While Victor Higgins was in Chicago he met former mayor and avid collector Carter H. Harrison who was to prove instrumental in the growth of Higgins career for several years. Harrison agreed to support Higgins for four years to go to Paris and Munich and paint and study in the great museums in Europe. While at the Academie de la Grande Chaumier in Paris (1910-1914) he met Walter Ufer, who was another Chicago artist being sponsored by Carter Harrison. This meeting was not only a life-long friendship, but the beginning of a great change in the way Higgins looked at "American" art. He decided that America needed it's own authentic style rather than the 19th Century classic style he was taught in Europe. Very soon after returning to Chicago in 1914, Harrison sent him and Walter Ufer on a painting trip to Taos, New Mexico for a year in exchange for paintings. Higgins made other similar agreements and was able to support himself with his painting. This trip was a life-changing experience and introduced Higgins to the authentic America he had been looking for. In 1914 Taos was an isolated village about twelve hours from Santa Fe on an impossible dirt road. But the colorful life of the pueblo people and the natural beauty drew a collection of artists who became the Taos art colony, from which the Taos Society of Artists was founded in 1915. Victor Higgins became a permanent resident within a year of his arrival and a member of the society in 1917, exhibiting with Jane Peterson in 1925 and with Wayman Adams and Janet Scudder in 1927. The members would travel around the country introducing the Southwest scenes with great success. He remained a member until the Society's dissolution in 1927. Higgins was the youngest member of the group of seven. Other members were Joseph Henry Sharp, Bert Phillips...

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...

Dear art lover, This artwork makes part of my series dedicated to " Women" and in particularly celebrates a special bond and connection between women. This artwork called "Do you...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed $700 *Custom framing available for additional charge. Please expec...

Bob Thompson Untitled, 1964 Felt tip pen on printed paper 11 x 20 1/2 inches Provenance: The artist Kathy Komaroff Goodman (gift from the artist) Hollis Taggart, New York Exhibited...