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Michael LoewCubist Nude 1121951
1951
About the Item
India Ink on paper; Provenance: Estate of artist, Vincent Vallarino Gallery
Lawrence Fine Art is pleased to present a suite of early, cubist-inspired nudes by first generation abstract expressionist painter Michael Loew, each different and together compelling. We like them as a suite of 4 or 6, but are willing to sell individually.
Like many of his peers--including de Kooning, Pollock, Rothko and others--Loew painted in a figurative style before the war and participated in the WPA mural project which gave otherwise unemployed artists jobs during the Great Depression. When he returned from WWII in 1946, his painting moved quickly toward abstraction. From 1947-1949, he studied post-Cubism at the Hans Hofmann School of Fine Arts. In 1948, he joined the Spiral Group, an organization of artists devoted to the exhibition of experimental art. The Artists Gallery in New York hosted his first one-man show in 1949.
Despite their opposing approaches to abstraction, Loew became a longtime friend of Willem de Kooning, whom he met completing WPA projects during the 1930s. Critic Rose C. S. Slivka observed, "They [de Kooning and Loew] generally agreed on most things, including the recognition that although each was on opposite sides of the coin, it was the same coin. 'Your work,' said Michael Loew to Willem de Kooning, 'is the lyrical grid.' 'And yours,' said Willem to Loew, 'is the song that breaks bars. I could learn plenty from you.'" ("Willem de Kooning," Art Journal, Fall 1989: pp. 219-221.)
Michael Loew was known for expressive abstract paintings that were based on the geometry and syntax of Neo-Plasticism. By enabling his boxes of color to float and by composing his grids with an increasing variety of rhythms and textures, he attempted to extend the achievement of Piet Mondrian in a more personal and lyrical direction.
Loew used the grid-structure of Mondrian as a base from which to experiment with the possibilities of the palette; to focus on subtle transitions of tone or harmony of color relationships. Drawing inspiration from life, he transformed subjects into unique patterns of rectangles or color fields, naming the final composition according to the dominant colors. He exhibited these works at the Stable Gallery Annuals, beginning a full and successful exhibition career.
In 1957, Loew participated in the International Assoc. of Plastic Arts Touring Exhibition, Contemporary American Painting as juror and exhibitor. Here he exhibited alongside Milton Avery, Samuel Adler, Josef Albers, de Kooning, Reinhardt, Walkowitz and others. The same year he gained representation at Zabriskie Gallery, next to Johns, Motherwell, and Rauschenberg. A recognized pillar of American Modernism, Loew maintained an active teaching and exhibition schedule until his death in 1985.
His work is in the collections of the Whitney Museum of American Art, the Hirshhorn Museum, the Philadelphia Museum of Art and the Museum of Modern Art, Carnegie Institute, in Pittsburgh, among others.
- Creator:Michael Loew (1907-1985, American)
- Creation Year:1951
- Dimensions:Height: 9 in (22.86 cm)Width: 5.625 in (14.29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lawrence, NY
- Reference Number:1stDibs: LU1497212920862
Michael Loew
Michael Loew was born on May 8, 1907 and was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker and from 1926–29, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany and Italy with a group of artists, including Max Schnitzler and Alfred Jensen. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly and for the next two years, he paid his apartment rent with his paintings. In 1935, he found work with the Works Progress Administration where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World's Fair. Their friendship lasted for the rest of their lives and in fact, Loew met his wife Mildred through a friend of de Kooning's. He traveled to Mexico in the late 1930s. Loew had a strong interest in artists' rights and activism and as president of the Artists Union, he led a protest which involved artists chaining themselves to poles in Union Square. After Pearl Harbor, Loew joined the Navy and served as the battalion artist for the Seabees in the Pacific. When he returned in 1946, his painting moved quickly toward abstraction. From 1947–49, he studied post-cubism at the Hans Hofmann School of Fine Arts. In 1948, he joined the Spiral Group, an organization of artists devoted to the exhibition of experimental art. The Artists Gallery in New York hosted his first one-man show in 1949 and one year later, he enrolled at the Atelier Léger in Paris. In 1956, he began teaching in the United States. By 1985 he had been an instructor at the Portland Museum School, University of California at Berkeley and the School of Visual Arts. His works are in the collections of prominent institutions such as the Whitney Museum of American Art, the Guggenheim Museum and the Philadelphia Museum of Art. He died on November 14, 1985, in New York.
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