Simon Goldberg

Still Lives - Watercolors on Paper by Simon Goldberg - 20th Century

20th century

Flower Vase is an original artwork realized by an Anonymous artist in the late 19th century. Ink and watercolor on paper. Includes frame (with minor defects): 47.5 x 2 x 33 cm. The ...

Flowers Pot is an original contemporary artwork realized by Fiorenzo Tomea (1910-1960) in the mid-20th Century. Mixed colored watercolor. Hand signed on the lower margin. Includes...

Flowers is an Original Watercolour realized by an unknown artist in 1970s. Good condition, included a cream colored cardboard passpartout (42x32.3 cm). Signature on the lower left ...

Flowers is a drawing realized in 1950s by Albert Fernand-Renault. Watercolour and ink on paper. Hand-signed. Good condition with diffused foxing and a cutting at the top left margi...

Still Life with Pots is a contemporary artwork realized by Pierre Jacquelin (1944) in 1980s/90s. Watercolor on paper. Hand-signed on the lower left. Good conditions. The artwork ...

Flowers is an artwork realized by an unknown in the early mid-20th Century. Ink, pastel and watercolor on cardboard. 11 x 10 cm ; 30 x 29 cm. Good condition!

This still life is an unusual example of Sylvia Spicuzza's work, as most of her most significant output are geometric and biomorphic abstract images. The objects in the image - a sea shell, a pitcher, a heavy necklace - are objects the artist likely had at home and staged for the image. But of particular significance is the insertion of the artist's hand, as though she was reaching into the still life while she was painting. The hand has been a significant symbol of the artist throughout art history as a source of creation: Albrecht Dürer's 'Self Portrait at the Age of Twenty-Eight' (1500) highlights the artist's hand much like traditional images of Christ giving gestures of blessing. Likewise, Ernst Ludwig Kirchner's 'Self Portrait as a Soldier' (1915) shows the artist in military uniform but with a severed hand as a symbol of helplessness during the First World War. Another important comparison, given Spicuzza is a Midwestern artist, is Ivan Albright's magic realist work 'That Which I Should Have Done I Did Not Do (The Door)' at the Art Institute of Chicago. The massive painting...

This artwork "Still Life with Knife" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. It is signed at the low...

[ANON.] Collection of Watercolour Designs for Silverware. South Germany, [Late 19th century]. A series of 9 watercolours, each framed and glazed, ...

Alexander Ross Untitled, 2007 Watercolor, colored pencil, gouache and graphite on paper Framed Dimensions: 28 x 25.5 inches (71.1 x 64.8 cm) Image Dimensions: 23 x 22 inches (58.4 ...

Watercolour on handmade paper of a 'Senoufo' figure applied to Vélin d'Arches paper by French artist La Roche Laffitte. Titled to the bottom centre. A beautifully observed and detai...

Drawing size: 50 x 37.5 cm Paper size: 74 x 58 cm Sara Menon was born in 1985 in Palmanova and lives and works in Aquileia, in the province of Udine. She specialized in the restoration of paintings and wooden sculptures in Mantua, a profession she still pursues today, while continuing to experiment with other art forms such as painting, sculpture and illustration. Her passion and activity as a naturalistic and scientific illustrator began in 2002, when she collaborated with medical examiner Gianpiero Ceci, producing a series of anatomical-surgical plates to accompany her publications, mainly related to the field of obstetrics and gynecology. In 2010, through the European Institute of Design in Milan, she had the opportunity to meet and get to know the illustrator Massimo Demma, who allowed her to refine the method and painting techniques used in scientific investigation and the rendering of natural data, as well as further knowledge in the field of naturalistic illustration. She had the opportunity to publish some naturalistic plates for the publishing house Il Prato...