Items Similar to V'Lo Totooroo I, Pen and Ink Large Scale Contemporary Drawing
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Ken GoldmanV'Lo Totooroo I, Pen and Ink Large Scale Contemporary Drawing2014
2014
About the Item
Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn.
Education: Pratt Institute, Masters of industrial Design, 1985
Brooklyn College, B.A Fine Arts, 1981
Made aliyah: 1985-member Kibbutz Shluchot
Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art
Shows
2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel
2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel
2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel
2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego
2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia
2015 - Rooted in Time - Rishon LeZion City Gallery
2015 - Black and White - Neve Schechter Tel Aviv
2015 - Rooted - Manny Cantor Center - New York
2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York
2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel
2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York
2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel
2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel
2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv
2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California
2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel
2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn
2013 - The first Biennial of Jewish art Jerusalem Israel
2013 - Golden Ghetto of Venice - competition- second prize
2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition
2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada
2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator
2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel
2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct
2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions.
2006 - City of Jerusalem – competition- original succah model designs - “best in concept”
2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist
2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel.
1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice container competition –
The artist shares; creating art provides me with the opportunity to explore, test and express my; connection, commitment, frustration, as well as love of Judaism. By opening doors, researching texts, testing materials –and pushing boundaries I search for new opportunities to make Judaism more relevant to today’s life. I see my art as a vehicle for: promoting dialogue, a catalyst for provoking people into re-evaluating their preconceptions, a medium for breaking down stereotypes and an opportunity for people of all walks of life to connect with their religion, culture, and history.
- Creator:Ken Goldman (1960, American)
- Creation Year:2014
- Dimensions:Height: 36 in (91.44 cm)Width: 17.5 in (44.45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211795782
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,555 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Women Who Lunch, Psychedelic Outsider ArtBy Paul ShimonLocated in Surfside, FLBorn in New York, Paul Shimon (1919 - 2011) was both an accomplished artist and composer. Considered by some to be an Early Outsider artist, Shimon studied at the Art Students Leag...Category
Late 20th Century Abstract Figurative Drawings and Watercolors
MaterialsInk, Watercolor, Pen
- Abstract Expressionism Psychedelic Outsider Art Paul ShimonBy Paul ShimonLocated in Surfside, FLBorn in New York, Paul Shimon (1919 - 2011) was both an accomplished artist and composer. Considered by some to be an Early Outsider artist, Shimon studied at the Art Students Leag...Category
Late 20th Century Abstract Figurative Drawings and Watercolors
MaterialsInk, Pen
- Mixed Media "Hangover" Vodka Bar Cart Pop Art Drawing NYC Street ArtBy Ephraim WuenschLocated in Surfside, FLThis is a reworked ad from a magazine, featuring Grey Goose, Stolichnaya, Ketel One and Belvedere Vodka with tomato juice resting on a tipsy bar cart. It is then drawn and modified b...Category
2010s Street Art Mixed Media
MaterialsOil Pastel, Archival Ink, Mixed Media, Permanent Marker
- Veiled Series L, Abstract Expressionist Organic Drawing Watercolor PaintingBy Dorothy GillespieLocated in Surfside, FLDorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...Category
Early 2000s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsPaper, Ink, Watercolor, Permanent Marker
- Veiled Series X , Abstract Expressionist Organic Drawing Watercolor PaintingBy Dorothy GillespieLocated in Surfside, FLDorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...Category
Early 2000s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsPaper, Ink, Watercolor, Permanent Marker
- Veiled Series LX , Abstract Expressionist Organic Drawing Watercolor PaintingBy Dorothy GillespieLocated in Surfside, FLDorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...Category
Early 2000s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsPaper, Ink, Watercolor, Permanent Marker
You May Also Like
- Appalachian Trail MapBy Sarah KaizarLocated in Philadelphia, PA"Appalachian Trail Map" is an original pen and ink, acrylic wash artwork by Sarah Kaizar measuring 30"h x 24"w framed. It’s an off-beat, diverse...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsInk, Pen, Acrylic, Paper
- William Brien Memorial Shelter, New York, [ 41.2796N, 74.0594W ]By Sarah KaizarLocated in Philadelphia, PAThis drawing titled "William Brien Memorial Shelter, New York, [ 41.2796N, 74.0594W ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trail...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsInk, Paper, Acrylic, Pen
- Spaulding Mountain Lean-To, Maine, [ 44.99577, -70.34134 ]By Sarah KaizarLocated in Philadelphia, PAThis drawing titled "Spaulding Mountain Lean-To, Maine, [ 44.99577, -70.34134 ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trailing...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsInk, Acrylic, Paper, Pen
- Low Gap Shelter, Georgia, [ 34.77624, -83.8245 ]By Sarah KaizarLocated in Philadelphia, PAThis drawing titled "Low Gap Shelter, Georgia, [ 34.77624, -83.8245 ]" is an original artwork by Sarah Kaizar made of silver leaf, pen and ink. Drawing from her experience hiking the Appalachian trail...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsInk, Paper, Pen
- Pine Knob Shelter, Maryland, [ 39.54249, -77.60181 ]By Sarah KaizarLocated in Philadelphia, PA"Pine Knob Shelter, Maryland, [ 39.54249, -77.60181 ]" is an original pen and ink, and acrylic wash artwork by Sarah Kaizar measuring 24"h x 30"w framed. It’s an off-beat, diverse c...Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
MaterialsInk, Paper, Acrylic, Pen
- Mashipacong Shelter, New Jersey, [ 41.25216, -74.68594 ]By Sarah KaizarLocated in Philadelphia, PA"Mashipacong Shelter, New Jersey, [ 41.25216, -74.68594 ]" is an original pen and ink, and acrylic wash artwork by Sarah Kaizar measuring 24"h x 30"w framed. It’s an off-beat, diver...Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
MaterialsInk, Paper, Acrylic, Pen
Recently Viewed
View AllMore Ways To Browse
Large Drawings
Original Large Drawing
Large Scale Contemporary Paintings
Concept Drawing
Contemporary Ink Drawings And Watercolors
Drawings Brooklyn
Large Scale Drawing
Large Scale Drawings
Drawing Of Venice
Hand Line Drawing
Ink Drawings Large
V Line
Unframed Pen And Ink Drawings
Ink Head
Large Scale Models
Jewish Drawing
Original Pen And Ink Art
Large Line Drawing