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Arthur John Trevor BriscoeThe Endeavour.c.1935
c.1935
About the Item
The Endeavour. c.1935. Pencil and watercolor on watercolor board. 14 3/8 x 20 7/8. Signed in pencil, lower right; titled in pencil, verso. Housed in a subtle 23 1/2 x 36-inch light brown wood frame.
The sailing yacht Endeavour is a 130 foot J Class classic sailing sloop which was launched in 1934 and embodies one of the most formidable and famous sailing yachts in the world. Endeavour was designed and built by the Camper and Nicholsons Yard in England as one of the yachts to challenge for the ultimate sailing yacht race - America's Cup. She came closer to winning the race than any other challenger up to that time, with only an amateur crew sailing her to the finish line. Upon her return to England, she dominated the British yacht racing scene for many years. In 1938 she was laid up for the duration of World War II, retiring from her exceptional racing career of four years. The Endeavor has been renowned as the most beautiful J class classic yacht ever built.
- Creator:Arthur John Trevor Briscoe (1873 - 1943, British)
- Creation Year:c.1935
- Dimensions:Height: 23.5 in (59.69 cm)Width: 36 in (91.44 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521111053
Arthur John Trevor Briscoe
Muirhead Bone was born in Partick, a suburb of Glasgow in 1876. As a young man, he was apprenticed to a firm of architects and in the evenings attended classes at the Glasgow School of Art. Aware his vocation was art, and not architecture, he devoted his time almost exclusively to drawing. He continually sketched the streets, buildings, and slums of Glasgow imbuing the urban decay with dignity and sentiment he so admired in the work of the Dutch artists whose townscapes he had studied in the Glasgow Corporation Art Galleries. Bone moved to London in 1901, holding his first exhibition at the Carfax Gallery in 1902. His success both critically and financially was rapid. His status as an etcher in the early years of the last century placed him among the world's most celebrated artists. It is not an exaggeration to say that his international reputation among collectors and the curators of the 'Great Print Rooms' of Europe and America was without parallel. He was appointed the first Official War Artist in World War I and was the doyen of War Artists in the Second World War. He was instrumental in the foundation of The Imperial War Museum and became a Trustee of The Tate and The National Gallery. He was knighted for his services to art in 1937.
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