Items Similar to 1930s French Impressionist Watercolour of a Forest and Mountain Landscape
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Henri Clamen1930s French Impressionist Watercolour of a Forest and Mountain Landscape
About the Item
French Impressionist watercolour on paper view of a colourful forest and mountain landscape by Henri Clamen. The painting is signed bottom right.
A charming view of a colourful mountain landscape. Majestic pines and other trees with their colourful foliage and towering over it all a majestic mountain. The artist has created a wonderful perspective. Clamen's light, free, impressionist style and his use of colour gives a vivacity and movement to the composition. A little jewel of a painting.
- Creator:Henri Clamen (1905 - 1965, French)
- Dimensions:Height: 5.52 in (14 cm)Width: 8.47 in (21.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Small pin hole top centre.
- Gallery Location:Cotignac, FR
- Reference Number:Seller: LG/ClamenMountain1stDibs: LU1430214351942
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2000
1stDibs seller since 2020
172 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Cotignac, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- 1930s French Impressionist Watercolour of Le Canal at Peronne CléryLocated in Cotignac, FRFrench Impressionist watercolour on paper view of a canal scene by Henri Clamen. There is a location annotation to the back of the paper. The painting is not signed but was acquired ...Category
Early 20th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- French Impressionist Watercolour of a Chapel at NyonsLocated in Cotignac, FRFrench Impressionist watercolour on paper of a chapel in a landscape by Henri Clamen. The painting is titled and dated to the back of the paper. Though not signed it was acquired fro...Category
Early 20th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- 1930s French Impressionist Watercolour of Children in an Idyllic Country SceneLocated in Cotignac, FRFrench Impressionist watercolour on paper view of children in an idyllic country scene by Henri Clamen. Signed bottom right. Acquired from the atelier of the artist with other signed works. Pencil annotation top right and to the back of the paper. A charming view of two children waiting in the shade of a beautiful summers day by the side of a country lane. An archway through to a farmyard and a farmhouse beyond. Dappled light through the overhead leaves and branches. In the lane to the left a hay wain...Category
Early 20th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- 1930s French Impressionist Watercolour of Paris, Ducks at the PondLocated in Cotignac, FRFrench Impressionist watercolour on paper view of a park in a city, probably Paris, by Henri Clamen. The painting is unsigned but was acquired from the artists atelier with other sig...Category
Early 20th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- 1930s French Impressionist Watercolour of A Mountain Chalet In A LandscapeLocated in Cotignac, FRFrench Impressionist watercolour on paper view of a mountain chalet in a landscape by Henri Clamen. The painting is signed bottom right. A charming view of a mountain chalet its cha...Category
Early 20th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- 1930s French Impressionist Watercolour of a ChurchLocated in Cotignac, FRFrench Impressionist watercolour on paper view of a church by Henri Clamen. The painting is unsigned but was acquired from the artists ...Category
Early 20th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
You May Also Like
- James Bonstow, River Dart Meander II, Original Landscape Art, Affordable ArtBy James BonstowLocated in Deddington, GBRiver Dart Meander II by James Bonstow [2021] Original Ink and Watercolour on paper Image size: H:58 cm x W:64 cm Complete Size of Unframed Work: H:58 cm x W:64 cm x D:0.1cm Sold Unf...Category
21st Century and Contemporary Impressionist Landscape Drawings and Water...
MaterialsPaper, Ink, Mixed Media, Watercolor
- Elizabeth Chalmers, Cherry Blossom and Winter Trees, Cotswold Landscape PaintingLocated in Deddington, GBCherry Blossom and Winter Trees [2022] original Pen & Ink with Watercolour Image size: H:33.5cm cm x W:26.0cm cm Complete Size of Unframed Work: H:42 cm cm x W:32 cm cm x D:1mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Pen and Ink Drawing with Watercolour on Watercolour Paper.Elizabeth Chalmers...Category
21st Century and Contemporary Impressionist Landscape Paintings
MaterialsPaper, Ink, Watercolor, Pen
- Panoramic healing of the soulLocated in THOMERY, FRThis painting is from the series La Dolce vita. Linda Clerget focuses on the exploration of colors and textures, inspired by the nature that surrounds her and her daily life. She bui...Category
21st Century and Contemporary Impressionist Landscape Paintings
MaterialsWatercolor, Ink
- Mid 20th Century, Luxembourg, Old Town and BridgeBy Leonard Machin RoweLocated in Cirencester, GloucestershireLuxembourg. "Old Luxembourg" by Leonard Machin Rowe (1880-1968) Initialled lower right watercolour painting on artist's paper, unframed Image 9.75 x 1...Category
1950s Impressionist Landscape Paintings
MaterialsInk, Watercolor
- LITTLE GUARDIAN OF THE WOODSLocated in THOMERY, FR"Immerse yourself in the enchanting world of 'Little Guardian of the Woods.' This captivating gouache on paper (40 x 30 cm) portrays a young guardian, tenderly safeguarding the harmo...Category
21st Century and Contemporary Impressionist Landscape Drawings and Water...
MaterialsGouache, Handmade Paper
- "Train Station, " Max Kuehne, Industrial City Scene, American ImpressionismBy Max KuehneLocated in New York, NYMax Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...Category
1910s American Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
Recently Viewed
View AllMore Ways To Browse
Mountain Landscape
French Impressionist Watercolor
Impressionist Mountain Art
Impressionist Forest
Mountain Landscape France
Mountain Landscape Watercolor
Jewel Tree
Emma Mendenhall
Frank Charles Peyraud
Frank Peyraud
George Price Boyce
Georgia O Keefe 1989 Metropolitan Museum
Gwyneth Johnstone
Henry John Kinnaird
James W Perry
Jane Lampard
Jane Levy
Janet Morgan Flowers