Louis Weiner

'Evening Landscape', AIC, Russian-American, Palette & Chisel Club, Who Was Who

1929

Signed 'Todros Geller' (Russian-American, 1889-1949) and dated 1937 An elegant and painterly, southwestern landscape painted when the artist was 48 years old. Born in Vinnytsia, now in the Ukraine, Todros Geller first studied in Odessa before moving to Canada. He continued his studies in Montreal (1906) and, subsequently, at the Art Institute of Chicago with George Bellows and John Norton. Geller exhibited widely and with success including, from 1925, at the Chicago Art Institute as well as at the Riverside Museum (New York, 1939), the New York World's Fair (1939) and at the Whitney Museum of American Art (1941) in addition to other national institutions. Geller was the recipient of numerous prizes, medals and juried awards and his work may be found in private and public collections including the permanent collection of the Art Institute of Chicago. He was a member of professional associations including the Artist's Union, the Artist's Congress and the Chicago Society of Artists, which he also served as president. During the the 1930's, Geller was an active participant in the Federal Art Project (WPA) in Illinois and his large-scale murals and stained glass windows may be found in Chicago and Detroit as well as Tel-Aviv. We are pleased to offer this elegant, South-Western landscape painted when the artist was 45. Reference: Todros Geller Archives, Spertus Museum of Judaica, Chicago; Sparks, Esther. "A Biographical Dictionary of Painters and Sculptors in Illinois 1808-1945." Diss., Northwestern University, 1971, p. 390; Yochim, Louise Dunn. Role and Impact: The Chicago Society of Artists. Chicago: 1979, pp. 28, 44, 238; Mavigliano, George J. and Richard A. Lawson. The Federal Art Project in Illinois 1935-1943. Carbondale: Southern Illinois University Press, 1990, p. 120; Dijkstra, Bram. American Expressionism: Art and Social Change 1920-1950. New York: Harry N. Abrams, Inc., 2003, p. 155. Chicago Modern...

An American School watercolor showing an old Ford Model T flatbed truck backed up to a barn in a rural landscape. A well-composed work paint...

Signed lower left, 'Hans Blum' (German, 1858-1942) and painted circa 1911. Provenance: Exhibited, 'Jubiläums- Ausstellung der Münchener Künstler-Genossenschaft', München 1911 ('Anniversary Exhibition of the Munich Artists' Cooperative'). Label verso. Hans Blum studied at the Munich Academy of Fine Arts with Ludwig von Löfftz and Ludwig Lindenschmit the Younger. He first worked as a portraitist in Nuremberg but later turned to genre painting, which he often carried out in the style of plein-air painting. Blum exhibited his Italian alpine...

Signed lower right, 'Jess Cauthorn' (American, 1923-2005), painted circa 1960. A respected fine artist art teacher who transformed the art-school scene...

Signed lower right, 'H. Hammond' for Horace Murray Hammond (British, circa 1879-1966) and dated 1921. A luminously painted, bucolic view of harvest time in England with the lilac of the evening casting a soft light over the contented horses and loaded hay-cart, as the harvesters come to the end of their day's labors. Son of the noted landscape painter, Robert John Hammond, Horace Hammond was born and raised in Warwickshire. In 1927, he moved, first to Worcestershire and then to London. Over the course of a long and successful career, Hammond exhibited widely, including at the Royal Birmingham Society of Artists, the Walker Art Gallery in Liverpool and at London's Royal Academy, among numerous other locations. A well-listed painter...

Signed lower right, 'Jack B. Bevier' for Jack Bernard Bevier (American, 1923-1996) and painted circa 1985. Born in Michigan, Bevier was primarily a watercolor painter who specialized in rural country landscapes, seascapes of the Monterey Peninsula, boat and harbor scenes. Jack Bevier was educated in Ann Arbor, Michigan before serving 3 years in the Army Air Corp during World War II. After the war he attended the Art Institute of Chicago where he graduated with honors. After six years of painting and working in the commercial art business in Chicago, Bevier moved to California. He settled in the Salinas area on the Monterey Peninsula in 1956 and operated a gallery in Carmel, California for many years. His works have been exhibited widely and with success including at the National Watercolor Society...

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

Artist: Alfred Sale Watson (English, Late 19th Century - Early 20th Century) Title: "Bridge at Sonning on Thames" *Signed and dated by Watson lower left Year: 1905 Medium: Original Gouache/Watercolor Painting on thin Illustration Board Framing: Recently framed in a gold brush and rope-motif moulding with hand decorated archival French matting Framed size: 26" x 31.88" Matted size: 20.25" x 26.25" Image size: 15" x 21" Condition: Has been professionally stored away for decades. In excellent condition Notes: It is also titled and dated on verso, likely by a previous dealer. Sonning is a village and civil parish in Berkshire, England, on the River Thames, east of Reading. The village was described by Jerome K. Jerome in his book Three Men in a Boat...

"They paved paradise and put up a parking lot," Joni Mitchell said. - - Created in 1969, at the dawn of the American environmental movement, artist Richard Erdoes draws a sequential narrative in the form of a coil. From inception to destruction, it illustrates a list of things that humans are doing to destroy the world we live in. The work was commissioned for school-age humans and executed in a whimsically comic way. Yet the underlying narrative is sophisticated and foreshadows a world that could be on the brink of ecological disaster. Graphically and conceptually, this work exhibits an endless amount of creativity and Erdoes cartoony style is one to fall in love with. Signed lower right. Unframed 12.4 inches Width: 12.85 inches Height is the live area. Board is 16x22 inches. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

Early 20th century Italian figurative landscape of a traditional wheat field harvest scene, by S. Frosini (Italian, 20th Century). This figurative landscape in gouache depicts in gre...

A significant early 20th century landscape watercolor of the paradisical gardens at San Anton Palace in Attard, Malta by Nicholas Krasnoff, 1920 (Russian, 1864-1939). This beautiful piece is a wonderful example of the renowned Russian architect's prized watercolors, created while he was exiled to Malta in the early 1920's. Depicting a lush garden full of blooming, colorful flowers and a stately fountain at the San Anton Palace in Malta, one can see the deft hand and attention to detail rendered by the proficient artist and architect's hand. Signed "N. Krasnoff" lower right. Titled and dated "Malta, St. Antonio 1920". Unframed. Measures 10.25"H x 14.25"W. Right corner has a crease from being bent. Nikolay Petrovich Krasnov, also known as Nicholas Krasnoff or Peter Nicholas Krasnoff, was a Russian Serbian architect and painter. He served as Chief Architect of Yalta, Crimea (1887-1899). From 1922 he lived and worked in the Kingdom of Yugoslavia, and was a key figure in the architectural development of Belgrade. Attending the Moscow School of Painting, Sculpture and Architecture in 1876, aged 12. As a young artist he received patronage from Sergey Tretyakov, brother of the founder of Moscow's Tretyakov Gallery, and entrepreneur Petar Gubonyin. In 1887 Krasnov became Chief Architect in Yalta. At the age of 23, Krasnov had large responsibility for the rapid growth of the city. He expanded the promenade, which by 1913 became the city's main street, before creating a new city plan in 1889 (including a new sewer system, planning regulations, new streets, prevention of unregulated construction, a school and children's hospital, and the construction of the Pushkin Boulevard). Two concrete bridges were built over the river, and the embankment strengthened. Krasnov also ran a private practice in Yalta until 1911. Among his most famous work is the Livadia Palace, later the location of the 1945 Yalta Conference. Designed over 60 buildings in Crimea, blending a modernist style with local traditions. Also of note: Dulber Palace, Koreiz (1895-97), Alexander Nevsky Cathedral, Yalta (1902), Yusupov Palace, Koreiz (1909), Kokkoz Jami Mosque, Sokolyne (1910). In 1913, he presented a collection of illustrations he had produced of his works to the Saint Petersburg Academy of Arts, where he held the title of academician. An opponent of the Russian Revolution, he left Yalta with his family in 1919 for Malta, alongside the Dowager Empress Marie Feodorovna, sister of Queen Alexandra, and over 600 members of the Russian aristocracy. Nikolay was in a group housed in the empty Villa St Ignatius, which had been a Jesuit college and then a hospital during World War I. To earn money, Nikolay painted many scenes of Malta, signing his paintings as N. Krasnoff. He is known as Nicholas Krasnoff in Malta. In May 2016 MaltaPost issued a commemorative set of stamps in his honor. In 1922 Krasnov moved to Belgrade, then part of the Kingdom of Yugoslavia, where he became head of the Department of Monumental Architectural Developments and Monuments. His building designs in Serbia number around 60, and were created under the name Nikola Krasnov, as a mark of respect to his adopted homeland. His key works in Belgrade include: Ministry of Forestry building (now Ministry of Foreign Affairs) (1923) which bears a memorial plaque...

Original watercolor of a waterfall with birch trees on illustration board by the well known American artist, William Paskell. Signed lower left. Condi...