Unknown

Mid 20th Century Gouache - Italian Street Scene

Unknown

A wonderful mid 20th century landscape by the listed artist Laurence H.F. Irving. Here the artist has captured an idyllic Italian scene with a river and small town beyond. With water...

A vibrant modernist scene in gouache showing an old humpback bridge in the village of Redford. The painting is unsigned and the artist has inscribed the location to the lower right. ...

An expressionistic view of St Vincent under the snow. Captured in a fun palette of pastel colours. The contemporary frame compliments the painting very well with a fine grey and whit...

Subtle impastoes are combined with a dry brush technique to render a cosy study of a country cottage in the late evening to brilliant effect. The artwork is unsigned and well represe...

An inviting green door with white portico surrounded by more green shrubbery. Well presented in a wash line mount and simple wooden frame. Unsigned. On wove.

Presented in a wash line mount. Unsigned. Provenance: From the Matania Family collection. On wove laid to card.

This piece titled "Outside, In" is an original artwork by Ash Limés Castellana and is made of gouache, watercolor, and pastel. This piece measures 8”h x 8”w framed. Founded in 1997...

If you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaiss...

Gouache on paper with frame

Maurice Utrillo (1883-1955) "L'Eglise" (Petrides No 25.562) Created 1937 Signed and Dated Lower Right Without Frame: 11" x 8.75" With Frame: 21" x 17.5" Provenance: Galerie Gilbert ...

Village Scene, Crickets in November, New Albany, Ohio, 1919 By Charles E. Burchfield (1893-1967) Signed and Dated Bottom Right Without Frame: 17.5" x 17.5" With Frame: 29" x 29" Bor...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...