20th Century Nude Drawings and Watercolors

Woman nude is a modern artwork realized by Achille Funi in the early 20th Century. Mixed media on plywood. Hand signed on the lower margin. Includes frame.

Carl August Walther (1880 Leipzig - 1956 Dresden): Reclining female nude, 20th century, Charcoal Technique: Charcoal on Paper Inscription: Inscr...

Standing Male Nude, Arms upraised (Kouros) Graphite on wove paper, c. 1930 Signed lower right (see photo) Possibly exhibited in May 8-June 1,1973 at Alan Stone Gallery entitled Eroti...

John Begg studied art at Columbia University, with Arthur Wesley Dow, with Charles Martin, and studied sculpture with Jose De Creeft and Ossip Zadkine.  He was a member of the  Ameri...

Composition is a modern artwork realized by the Italian Artist Mario Sironi. Charcoal drawing on paper. Hand signed on the lower margin. Includes frame. Good conditions but some ...

Genre: German Expressionist Subject: Woman Medium: gouache paint Surface: Paper board This is hand signed lower right. Framed it measures 17.25 X 15.5, sheet 12 X 10 This came from a Jewish estate. there was no additional paperwork or provenance. Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules...

"Personnages" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 67". Although renowned for his innovative and groundbreaking sculptures, Alex...

Mid 20th Century Italian Futurist, Novecento Italiano, work on paper, signed bottom right and with dedication top right (see photos). The subject is bathers enjoying the delights of a spa and sauna with colourful tiling to the background. The classical figures languorously positioned in repose but the central 'white' figure in stark contrast. The play on colours gives the work a vibrancy. The drawing is possibly a preparatory sketch for a larger work or mural. A vibrant, exciting and colourful work incorporating the styles of Futurism and the Novecento Italiano movement and with the influences or artists such as Anselmo Bucci, Adami, Jean Helion, Maryan, Achille Funi and Ugo Guidi. Anselmo Bucci was born in 1887 in Fossombrone in the district of Pesaro. Even though he studied Classics, right from a tender age he showed a talent for drawing and, when his parents moved near to Florence, he was taught by the artist Francesco Salvini. In 1904 the family settled in Monza and so the boy was able to study for a year at the Accademia di Belle Arti di Brera, but he did not follow up this educational experience and in 1906 he left Italy for Paris where he came into contact with the Parisian avant-garde, met fellow Italian artists such as Severini and Modigliani, and made friends with Picasso, Utrillo and Apollinaire. In 1907 he showed a painting at the Salon, but these Parisian years were most important for his love of engraving techniques – etching and dry point that enabled him to fully develop his themes characterised by movement. On the outbreak of war in 1915 he returned to Italy and he enlisted in the same battalion as several Futurist artists such as Martinetti, Boccioni, Sant’Elia and Carlo Erba. In 1914 he won the silver medal at the Mostra dell’Incisione (Exhibition of Engravings) at Florence. In 1917 in Paris he published pictures of war scenes entitled “Croquis du Front Italien”. In 1919 he printed twelve lithographs entitled “Finis Austriae” again showing events from the war. At the end of the war he lived between Milan and Paris and he dedicated his time completely to his art with personal exhibitions, exhibiting at all the most important Italian and French shows, in Belgium, Holland and England. In 1922, he established the group “Movimento del Novecento”, (Novecento Italiano), (20th century Movement) a joint venture with the artists Sironi, Funi, Oppi, Malerba, Dudreville and Marussig. Their aim was to return to figurative art in contrast with the growing extremism of the Avant-gardists. In 1925 he worked on the illustration of the first edition of Kipling’s The Jungle Book producing eight dry point plates. In the early 30’s he lived in Bucci, Trieste, where he worked on the furnishing of the steamships for the Trieste Navigazione Libera, at the same time he continued to work on many book illustrations. During the second European war he adapted to being a war artist recording the events of the war as he had done previously. Indeed the engravings depicting battles of the Marines and the Air Force belong to this period. In 1945, following the bombing of his house in Milan, he returned to Monza to his father’s home where he remained until his death. Futurism was an Italian art movement of the early twentieth century that aimed to capture in art the dynamism and energy of the modern world. Futurism was launched by the Italian poet Filippo Tommaso Marinetti in 1909. On 20 February he published his Manifesto of Futurism on the front page of the Paris newspaper Le Figaro. Among modernist movements futurism was exceptionally vehement in its denunciation of the past. This was because in Italy the weight of past culture was felt as particularly oppressive. In the Manifesto, Marinetti asserted that ‘we will free Italy from her innumerable museums which cover her like countless cemeteries’. What the futurists proposed instead was an art that celebrated the modern world of industry and technology: We declare…a new beauty, the beauty of speed. A racing motor car…is more beautiful than the Victory of Samothrace. (A celebrated ancient Greek sculpture in the Louvre museum in Paris.) Futurist painting used elements of neo-impressionism and cubism to create compositions that expressed the idea of the dynamism, the energy and movement, of modern life. Chief artists associated with futurism were Giacomo Balla, Umberto Boccioni, Gino Severini. After the brutality of the first world war, many artists rejected the avant-garde notions of futurism and other pre-war movements, by using more traditional and reassuring approaches, a phenomenon described as the ‘return to order’. Novecento Italiano was founded by Anselmo Bucci (1887–1955), Leonardo Dudreville (1885–1975), Achille Funi, Gian Emilio Malerba (1880–1926), Pietro Marussig, Ubaldo Oppi, and Mario Sironi. Motivated by a post-war "call to order", they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini's newspaper, The People of Italy (Il Popolo d'Italia). Sarfatti was also Mussolini's mistress. The movement was officially launched in 1923 at an exhibition in Milan, with Mussolini as one of the speakers. The group was represented at the Venice Biennale of 1924 in a gallery of its own, with the exception of Oppi, who exhibited in a separate gallery. Oppi's defection caused him to be ejected from the group, which subsequently split and was reformed. The new Novecento Italiano staged its first group exhibition in Milan in 1926. Several of the artists were war veterans; Sarfatti had lost a son in the war. The group wished to take on the Italian establishment and create an art associated with the rhetoric of fascism. The artists supported the fascist regime and their work became associated with the state propaganda department, although Mussolini reprimanded Sarfatti for using his name and the name of fascism to promote Novecento. The name of the movement (which means 1900s) was a deliberate reference to great periods of Italian art in the past, the Quattrocento and Cinquecento (1400s and 1500s). The group rejected European avant garde art and wished to revive the tradition of large format history painting in the classical manner. It lacked a precise artistic programme and included artists of different styles and temperament, for example, Carrà and Marini. It aimed to promote a renewed yet traditional Italian art. Sironi said, “if we look at the painters of the second half of the 19th century, we find that only the revolutionary were great and that the greatest were the most revolutionary”; the artists of Novecento Italiano “would not imitate the world created by God but would be inspired by it”. Despite official patronage, Novecento art did not always have an easy ride in Fascist Italy. Mussolini was personally uninterested in art and divided official support among various groups so as to keep artists on the side of the regime. Opening the exhibition of Novecento art in 1923 he declared that “it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view." The movement was in competition with other pro-Fascist movements, especially Futurism and the regionalist Strapaese movement. Novecento Italiano also met outright opposition. Achille Starace, the General Secretary of the Fascist Party, attacked it in the Fascist daily press and there was virulent criticism of its “un-Italian" qualities by artists and critics. In the 1930s, a group of professors and students at the Accademia di Brera established an opposition group to Novecento Italiano. Among them was the director of the academy Aldo Carpi, and students Afro, Aldo Badoli, Aldo Bergolli, Renato Birolli, Bruno Cassinari, Cherchi, Alfredo Chighine, Grosso, Renato Guttuso, Dino Lanaro, Giuseppe Migneco, Mantica, Ennio Morlotti, Aligi Sassu, Ernesto Treccani, Italo Valenti, and Emilio Vedova (and later Giuseppe Ajmone...

Tsuguharu Léonard FOUJITA (1886-1968) Sketch of a baby Graphite pencil and ink on paper Bears the stamp of the succession Kimiyo Foujita in the lower right corner 15,7 x 11,8 inch Pr...

This reclining nude portrait of a woman on a picnic makes several different art historical references. The bold, almost neon colors are reminiscent of the tropical paintings rendered by Gauguin at the end of the 19th century. The setting harkens back to "Luncheon in the Grass" by Manetl. And the pose is historically associated with sex workers and the goddess Venus, in paintings like "Olympia" by Manet, "Grande Odalisque" by Inges, and even further back like "Venus of Urbino...

Georges BARBIER Art Nouveau : Nude with Crystal Ball Original India Ink, Watercolor and Gouache painting Signed in the bottom middle On paper 32 x 50 cm (c. 13 x 20 in) Presented i...

Landscape is a modern artwork realized by Achille Lega in 1928. Black and white charcoal drawing. Published on the Art Review "Il Selvaggio". Hand signed and dated on the lower ma...

Sleeping Woman is an original modern artwork realized by Domenico Cantatore in the mid-20th Century. Watercolor drawing of brown paper. Hand signed on the lower margin. Includes f...

Antoniucci VOLTI Sitted nude Original drawing in sanguine (charcoal) Signed bottom left On paper and cardboard , size 65 x 50 cm (26 x 20 inch) G...

Landscape is an original modern artwork realized by Achille Lega in 1928. Black and white charcoal drawing. Published on the Art Review "Il Selvaggio". Hand signed and dated on th...

Antoniucci VOLTI Woman portrait Original drawing in sanguine (charcoal) Signed bottom left On paper and cardboard , size 64,5 x 50 cm (26 x 20 in...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 22 3/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

An Art Deco gouache painting by American artist Anthony Nelle featuring exquisite details and materials to create a fantastic and enchanting scene.

Nude after Michelangelo is an artwork realized by Luigi Russolo in 1933/34. Mixed Media on Paper. cm. 33x24,3. Good conditions! Luigi Carlo Filippo Russolo (Portogruaro, 30 Apr...

Nude after Michelangelo is an artwork realized by Luigi Russolo, 1933/34. Mixed Media on Paper. Good conditions. Luigi Carlo Filippo Russolo (Portogruaro, 30 April 1885 - Laveno-...

Attributed to: Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper All approx. 24 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Ink and graphite on paper Largest: 23 1/2 x 17 1/4 in. Smallest: 22 7/8 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Drawing in china ink artwork realized in 1973 by Emilio Greco. Hand-signed and dated on the lower right. In very good conditions. The artwork is depicted through confident strokes...

The Return of Bella Cuculi is an original contemporary artwork realized by Pablo Echarruen in 1974. Hand Signed and dated on lower right. Titled on the lower left. China, watercol...

Hand signed and dated by the Artist lower right "Emilio Greco. Roma, 1973" Very good conditions. Emilio Greco (Catania, 1913 - Roma, 1995) was a popular Italian artist, engraver an...

Hand signed and dated by the Artist. Very good conditions. Emilio Greco (Catania, 1913 - Roma, 1995) was a popular Italian artist, engraver and designer. He was famous especially f...

Hand signed and dated by the Artist lower right "Emilio Greco.Sabaudia, Dic. 1969". Very good conditions. Emilio Greco (Catania, 1913 - Roma, 1995) was a popular Italian artist, e...

Hand signed and dated by the Artist lower right "Emilio Greco. Roma, Dic. 1972". Very good conditions. Emilio Greco (Catania, 1913 - Roma, 1995) was a popular Italian artist, engra...

Beautiful China Ink drawing by Marcel Gromaire, 1962. Contemporary wooden frame included. Excelle conditions.

Hand signed and dated by the Artist lower right "Emilio Greco. Roma, Mercoledì 10 Maggio 1972" (Emilio Greco. Rome, Wednesday 12th of March, 1972) Very good conditions. Emilio Grec...

Naked Woman on the Rocks is an original modern artwork realized by Giuseppe Lallich (1867-1953) in the early 20th Century. Mixed colored watercolor. Hand-Signed by the artist Inc...

Mixed technique on paper. Hand signed lower right. Created by the Italian Pop Art artist Marco Silombria (Savona, 1936-Albissola, 2017): an Italian painter, sculptor, and esteemed a...

Couple is an original drawing in mixed media realized in 1940 ca. by an unknown artist of the XX century. Sheet dimension: 33.5 x 39 cm. In very good conditions with small tearing ...

Old charcoal drawing on paper " nude lady with cigarette " Italian school 2Oth This exceptionally beautiful charcoal drawing sits in a brand new frame, and sealed under the authenti...

Artist/Designer; Manufacturer: Jose Antonio Aranaz (Venezuelan, 1948-2013) Marking(s); notes: signed; 1972 Materials: charcoal on paper Dimensions (H, W, D): 20"h, 13.75"w; 22.75"h, ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good P...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good P...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good Prov...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good Proven...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good P...

Continuous Nude Line Drawing - Marker and Pen, Signed and Dated Jean Negulesco 1963 Condition: Paper is delicate, some spots and paper folds as seen in photos. Size: 17.5 W x 28.5...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good P...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good P...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good...

Artist: Ian Hornak (1944-2002) Title: Untitled (Female Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good Provenance: Esta...

Artist: Ian Hornak (1944-2002) Title: Untitled (Female Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good Provenance: Esta...

Artist: Ian Hornak (1944-2002) Title: Untitled (Female and Male Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good Proven...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Fellatio Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Conditio...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good P...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good P...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Original drawing on archival paper Size: 18 x 23 inches Condition: Good...