Silombria Marco

After waking up. Daydreaming. Large graphic painting of young male nude.

Charcoal drawing on light gray-blue colored paper. The drawing depicts a young man sitting with the hand on forehead. the position is probably meant to express the feeling of regret,...

Mixed technique on paper. Hand signed lower right. Created by the Italian Pop Art artist Marco Silombria (Savona, 1936-Albissola, 2017): an Italian painter, sculptor, and esteemed a...

The body of a slim young man. 1970s. Marco Silombria signed. Marco Silombria, Italian advertising graphic designer, artist and ceramist. charcoal and wax on paper. Signed bottom righ...

Disegno del nudo maschile. Dal 19 ° secolo Disegno su carta leggermente colorata. In buone condizioni. Il disegno rappresenta un uomo sdraiato, che si abbandona al sonno. In una posa...

Preparatory anatomical study for the figure of a man with hands on his face. Drawing of a medium-sized male nude. From the 19th century Drawing on slightly greyish colored paper. In ...

19th century Italian school drawing. Academic study of the figure of the young naked man. Drawing made from two sides of the sheet of paper On the other side two feet and an arm are ...

"Personnages" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 67". Although renowned for his innovative and groundbreaking sculptures, Alex...

Charles Gesmar (French, 1900 - 1928) Portrait of Jane Marnac, 1921 Gouache and ink on paper with some watercolour Signed ‘C. Gesmar. 21’ (upper left) 18 x 18 in. (45.8 x 45.8 cm.) Gesmar had a very short but successful artistic career prior to his tragic death from pneumonia. He designed for Mistinguett, creating costumes as well as many other commissions for the theatres of the day in Paris. He worked with posters and is thought of as a talent equal to Leon Bakst, his graphic designs linking the works of Toulouse Lautrec and Rene Grau...

Duchándome and Pity June 4th, by Celso Castro-Daza From the Duchándome Series Watercolor, ink, and pastel on archival paper. 1. Duchándome 2. Pensando & recordando a Luis Caballero...

Set of 4 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on archival paper 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th Overall Size: 39 in. H x 27.5 in. W Individual size: 19.5 in. H x 13.75 in. W Unframed 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

Duchando me series by Celso José Castro - Daza 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th 5. Duchándome, June 5th 6. Pensando & recordando a Luis...

Duchándome, May 22nd / Duchandose, May 27th-Duchandome/Duchandome En Cuerpo Ajeno 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Overall Size: 39 in. H x 27.5 in. W Both works are one of a kind Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...