Items Similar to UNTITLED #2 - Modern / Minimal Line Drawing, Drawing, Pencil/Colored Pencil on W
Want more images or videos?
Request additional images or videos from the seller
Rich MoyersUNTITLED #2 - Modern / Minimal Line Drawing, Drawing, Pencil/Colored Pencil on W2021
2021
About the Item
Original Modern / Minimal Colored Pencil Line Drawing on French Arches 140lb. Hot Press Watercolor Paper, Lascaux Archival Fixative Protective Coating Sheet Size: 12 x 14 Inches Image Size: 5.375 W x 6.650 H Inches THIS PIECE IS UNFRAMED!! * framed painting pictured is for *EXAMPLE ONLY, NOT INCLUDED at this price! **This piece will be packaged & shipped FLAT in a White Premium heavy cardboard mailer for safe and secure delivery. Copyright © Richard Moyers 2021 All Rights Reserved "” Studio Photographs by Rich Moyers :: Drawing :: Modern :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: Artist Signature on the Front Lower Right Corner :: Watercolor Paper :: Portrait :: Original :: Framed: No
- Creator:
- Creation Year:2021
- Dimensions:Height: 14 in (35.56 cm)Width: 12 in (30.48 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Yardley, PA
- Reference Number:1stDibs: LU802112324562
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2009
1stDibs seller since 2017
1,304 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Peoria, AZ
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Roundism – 04-02-22, Drawing, Pencil/Colored Pencil on PaperBy Corne AkkersLocated in Yardley, PAOnce Again Once in a while I get that itchy feeling again that makes me want to turn to roundism. The last one by that title I made half a year ago. In between lie an odd couple...Category
21st Century and Contemporary Cubist Drawings and Watercolor Paintings
MaterialsPencil
- Risque – 31-01-22, Drawing, Pencil/Colored Pencil on PaperBy Corne AkkersLocated in Yardley, PADifferent Styles Another variation in the Risque Series. After my last graphite pencil drawing ‘Risque – 22-01-22’ I was searching for something new. I just don’t like to ...Category
21st Century and Contemporary Surrealist Drawings and Watercolor Paintings
MaterialsPencil
- Sienna – 27-08-22, Drawing, Pencil/Colored Pencil on PaperBy Corne AkkersLocated in Yardley, PAImpressionist Approach This graphite pencil drawing ‘Sienna - 25-08-22’ follows up my previous one ‘Model Study, after Laure Albin Guillot - 25-08-22’. In my last art stat...Category
21st Century and Contemporary Impressionist Drawings and Watercolor Pain...
MaterialsPencil
- Clingendael – 31-08-22, Drawing, Pencil/Colored Pencil on PaperBy Corne AkkersLocated in Yardley, PAA Welcome Change Today, the last day of August, I went to Clingendael with my dear friend Michelle. It’s a welcome change from drawing art deco models, such as the last one. We ...Category
21st Century and Contemporary Impressionist Drawings and Watercolor Pain...
MaterialsPencil
- The Proud Brothers - 04-01-21, Drawing, Pencil/Colored Pencil on PaperBy Corne AkkersLocated in Yardley, PAThe Proud Brothers - 04-01-21 The Bigger the Lie How can The Blues Brothers turn into The Proud Brothers? That is simple enough. Take a big country and turn it into a madhouse. D...Category
2010s Surrealist Drawings and Watercolor Paintings
MaterialsPencil
- De Smorenhoek - 17-12-20, Drawing, Pencil/Colored Pencil on PaperBy Corne AkkersLocated in Yardley, PADe Smorenhoek - 17-12-20 A Beautiful Meadow Some time ago I visited De Smorenhoek, a small but long meadow surrounded by wood embarkements. From Beek-Ubbergen it runs upwards to ...Category
2010s Impressionist Drawings and Watercolor Paintings
MaterialsPencil
You May Also Like
- Two Wood Ducks on a Flowering BranchBy Joseph StellaLocated in New York, NYJoseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...Category
20th Century American Modern Still-life Drawings and Watercolors
MaterialsColor Pencil
- UntitledBy Charles Houghton HowardLocated in New York, NYCharles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His fat...Category
20th Century American Modern Abstract Drawings and Watercolors
MaterialsPaper, Gouache, Graphite
- UntitledBy Charles Houghton HowardLocated in New York, NYCharles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His fat...Category
20th Century American Modern Abstract Drawings and Watercolors
MaterialsPaper, Watercolor, Gouache, Graphite
- Le SentierBy Paul CézanneLocated in London, GBPaul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325Category
1890s Modern Landscape Drawings and Watercolors
MaterialsWatercolor, Pencil
- Pablo Picasso Drawing 'Nu couché endormi' Graphite Drawing 1954By Pablo PicassoLocated in Miami, FLDrawn in 1954 by Picasso, this fine piece of work is a recognizable mark of his unique style. 'Nu couché endormi' is executed in graphite on cream wove paper. It is dated 28.2.54 and...Category
1950s Modern Abstract Drawings and Watercolors
MaterialsPaper, Pencil
- Woman On Bicycle - Drawing by Adolphe Léon Willette - 1890sLocated in Roma, ITWoman On Bicycle is a Blue Pencil Drawing realized by Adolphe Léon Willette in 1890s. Good condition on a yellowed paper. Monogrammed, included a wh...Category
1890s Modern Figurative Drawings and Watercolors
MaterialsColor Pencil