Zachari Logan

Untitled (Hawaii)

2021

Study for “The Haircut” Graphite and colored pencil on vellum 24 x 18 inches (61 x 45.7 cm) This work is offered by CLAMP in New York City.

In Between #13 2021 Colored pencil on paper 69 x 43.75 inches Contact gallery for price. This artwork by Zachari Logan is offered by CLAMP in New York City.

Conté and colored pencil on paper 20.75 x 14.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Zachari Logan “Dandelions Become Clouds (Unkraut stirbt nie)” 2022 Accompanied by a certificate of authenticity Blue pencil on paper 15 x 41.25 inche...

This drawing by Zachari Logan is offered by CLAMP in New York City.

Zachari Logan “Limb No. 1, Ghost Meadow” 2022 Accompanied by a certificate of authenticity Blue pencil on mylar 9 x 7.5 inches (22.9 x 19.1 cm) Cont...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

Julia Randall is in love with drawing, and crafts images that challenge assumptions about corporeality, desire, and the natural world. Intersecting sensibilities activate her work; i...

"Sisters #4", 2019 by Valerie Hammond 72 x 35 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels ...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...

Drawing on paper with colored pencils and ink on a layer of dyes extracted from plants. Whispers from a forest where magic happens in silence. Shipped unframed in box

Colored pencil on burnished indigo wasli paper. Framing is additional $350.