Alea Pinar Du Pre

Luma

2016

Alea Pınar du Pre was born in Vienna, where she grew up under the intense influence of the artistic legacy left by the Vienna Secession and the Wiener Werkstatte. Du Pre studied mark...

Alea Pınar du Pre was born in Vienna, where she grew up under the intense influence of the artistic legacy left by the Vienna Secession and the Wiener Werkstatte. Du Pre studied mark...

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

Alea Pınar du Pre was born in Vienna, where she grew up under the intense influence of the artistic legacy left by the Vienna Secession and the Wiener Werkstatte. Du Pre studied mark...

This unique painting was created by using the technique of cake pipe painting; the pipes used for cake decorating. Pinar du Pre would pipe acrylic paint onto the canvas in parallel ...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Contemporary Art, Mixed Media Art, Portrait Paintings-Now Turn to the Left ABOUT THIS PIECE: “Now turn to the left, (Cortney-A4)” is mixed media street art by Addison Jones featurin...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

John Baker’s “Masks of a Novelist: An Imaginary Portrait of Tom Wolfe”, a 42 x 32 x 1.5 inch acrylic painting with collage on canvas, is not so much a depiction of Tom Wolfe’s appear...

John Baker’s “Man of the World”, an acrylic painting on canvas with collage, an imaginary portrait 27.5 x 21 inches, in muted neutral tones highlighted by lemon and golden yellows and chalky reds, is from the artist’s “Mask” series...

John Baker’s “Siblings: An Imaginary Portrait” is an acrylic painting on canvas with collage 11 x 9 x 1.5 inches in pinks, blues and whites. A quintessential image of gender, the pai...