Douglas Mcclellan

'Cretan View', California Artist, SFMOMA, Metropolitan, LACMA

1988

Signed lower right, 'Miklos Pogany' and dated '1987'; titled lower left, 'Flight to Byzanthium'. Additionally signed verso, dated, titled and inscribed 'Monotype printed at Don Farnsworth's Magnolia Editions. Oil, litho ink on paper'. Sheet dimensions: 31.25 x 42.5 Inches. Hungarian-born Maine resident, Miklos Pogany, is a prolific artist with an impressive exhibition history and work in the permanent collections of many major museums including the Metropolitan Museum of Art in New York. A master of multiple media, Pogany creates vivid works based on nature and the built environment, exploring and pushing the parameters of each medium. The artist describes his motivation as follows: "I react to wonder, desires, conflicts, meanings, memories, revenge, sexuality, love and death. I gather all these fragments and make some personal sense of it all." Education: 1964 - BA, St. Procopius College, IL 1965 - MA, University of Chicago, IL 1972 - Ph.D. University of Chicago, IL Museum Collections: Metropolitan Museum of Art, New York, NY The Phillips Collection, Washington, D.C. National Museum of American Art, Smithsonian Institute, Washington, D.C. Fogg Museum, Harvard University, Cambridge, MA Victoria and Albert Museum, London, England Bibliothèque Nationale, Paris, France New York Public Library Print Collection, New York, NY Boston Public Library Print Collection, Boston, MA Yale University Art Gallery, New Haven, CT Achenbach Foundation for the Graphic Arts, San Francisco, CA Davidson Art Center, Wesleyan University, Middletown, CT Harvey Littleton, Greenville, NC Jane Voorhees Zimmerli Art Museum, Rutgers State University, NJ Mattatuck Museum, Waterbury, CT Selected Awards: The Connecticut Vision, Mattatuck Museum Prize 1990 Prints International, Silvermine Galleries, CT Rockefeller Foundation Grant, Bellagio, Italy International Graphic Arts Foundation, Sigma Gallery, New York Louis Comfort Tiffany Foundation Award Connecticut Commission for the Arts SECA Award for Painting, San Francisco Museum of Modern Art Selected Exhibitions: 2019 Danese Corey, New York, NY 2012 Fort Point Arts Community, Boston, MA 2008 Harvard University Owl Club, Cambridge, MA 2004 Kantar Fine Arts, Newtonville, MA 1998 J. Leighton Gallery...

Initialed lower right, 'CRS' for Charles Ralph Strong (American, 1938-2013) and dated, lower left, '1989'. One of the youngest members of the San Francisco School of Abstract Expres...

A substantial trillium monotype landscape showing a view of the cultivated fields and coastal hills of Monterey County, California bathed in the glow of a radiant sunset. Signed lower left, "Maxon" for John Maxon (American, 20th century) and created circa 1985. Coming from a western tradition in Wyoming, John Maxon developed an expansive view of nature and the spiritual essence it imbued. Moving eventually to the San Francisco Bay area, John’s delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged and, at 16, he began figurative art classes with Howard Brodie. Maxon spent his youthful days painting seriously in the fields behind Stanford University, and was fortunate to be exposed to and to study the works of Nathan Oliviera, Wayne Thiebaud and David Park during those years. He attended San Jose State University, and apprenticed for Sam Richardson...

Signed lower right in graphite, 'Shoichi Hasegawa 長谷川 彰一' (Japanese-French, born 1929), titled lower center, 'le chapiteau et la guitare', with number...

Signed lower right, 'Hiroyuki Tajima' (Japanese, 1911-1984) and dated 1979 with limitation and number, '100-10', lower center and titled lower left, 'Section of Landscape'. Paper dimensions: 19.75 x 12.5 inches An elegant abstract comprising juxtaposed vertical, rectangular forms in variegated shades of turquoise blue and copper. Engraver and printmaker, Hiroyuki Tajima was born in Tokyo in 1911 and graduated from Nihon University in 1932. In 1934, he graduated from the Tokyo School of Arts with a specialization in western-style painting. Tajima later studied fabric dyeing under Hirokawa Matsugoro (1889-1952) and woodblock printing with the Sosaku-Hanga artist, Nagase Yoshiro (1891-1978), a founder of the Japan Print Association (Hanga Kyokai). In 1946, inspired by Dada and Surrealism, Tajima joined Bijutsu Bunka Kyokai, a group dedicated to exploring and reviving the abstract and surrealist painting ideals that had been suppressed during WWII. Tajima exhibited widely and with success, including with Tokyo's Modern Art Association (Prix du Nouveau Venu, 1962), the Japanese Engraving Association, the Contemporary Japanese Art Exhibition in Tokyo (1962), the Northwest International Print Exhibition (1962-1964) and the Tokyo International Print Biennale (1964). His work is held in the permanent collections of museums worldwide including the Portland Art Museum (Oregon), the Cleveland Museum of Art, the Los Angeles County Museum of Art (LACMA), the Fine Arts Museums of San Francisco, the Art Gallery of Greater Victoria (British Columbia), the Art Gallery of New South Wales (Australia), the Carnegie Museum of Art, the National Museum of Art, Osaka (NMAO) and the British Museum in London. In describing Tajima's work, Frances Blakemore...

Signed, lower right, 'Estève' for Maurice Estève (French, 1904-2001) and inscribed, lower left 'E d'A' for Epreuve d'Artiste. Provenance: Collection of Ann and Norman Bikales, Pebble Beach, California. Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. In 1913, he joined them in Paris, where he discovered the Louvre Museum and was particularly impressed by Uccello's Battle of San Romano...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

A colorful monotype that addresses the experience of finding everyday life spiritual by emerging artist a.muse.The abstract print in an edition of 1 is hand-pulled on the etching press by the artist. Created with soy-based inks Celestial Bodies...

"Midcentury Blocks" is an abstract contemporary monoprint by Texas artist Roberta E. Laine. In this one-of-a-kind print, layers of mulberry papers have been run through an etching pr...

"The Space Between I" is an abstract contemporary monoprint by Texas artist Roberta E. Laine. In this one-of-a-kind print layers of mulberry papers have been run through an etching p...

A piece on freedom, movement, and rhythm, Twirling, 2018 by a.muse is a 15" x 11.25" monotype dated, titled, and signed (on front and back) by the artist. Abstract art on paper...

Through the use of bright color a.muse creates harmony and balance for Bouquet, 2020. An abstract work on watercolor paper, the print is hand-pulled on an etching press by the artist...