Ángel Ricardo Ricardo Ríos

El conejo sobre la Luna (The Rabbit on the Moon)

2021

la flor de compana en versión amarilla (The Bell Flower in Yellow Version) is a painting by Angel Ricardo Rios. Rios was born in Cuba in 1965 where he graduated from the Higher Insti...

Angel Ricardo Rios was born in Cuba in 1965, and he graduated from the Higher Institute of Art in Havana Cuba. Ricardo’s work has an eagerness to it, a blur of boundaries within the ...

Kuzana Ogg (b.1971, Bombay, India) is currently in residence at El Zaguan on Canyon Road in Santa Fe, NM. She has participated in three other residencies: i...

"Almeisan" is a tranquil oil painting by Sante-Fe New Mexico-based painter Kuzana Ogg. The artist’s latest compositions use oil tints and mineral spirits to create soft washes of pig...

This charming oil painting by Kuzana Ogg is poetically titled and verdantly bright. The artist’s latest compositions use oil tints and mineral spirits to create soft washes of pigmen...

" Raat Ki Rani" is a bright, monochromatic oil painting by Kuzana Ogg. This cheerful and eye-catching composition is part of a recent shift ...

Yusupov Palace, 60x40cm

Utiliza piedras rayadas o bancos de corte sobre las que coloca las telas y hace frottage con grafito para luego intervenirlas con óleo. Su obra habla acerca del paisaje y de la natur...

"Step into the mesmerizing world of Sarah Fosse's "Surreal Bridge Melodies," an original cityscape painting that captures the essence of New York City in a surreal symphony of color ...

This large scale oil painting by Mark Masyga employs a linear abstract composition. Masyga's masterful knowledge and background in color field painting shows a heightened sense and ...

48"x60" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. A neutral grey ground acc...

48"x72" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Bright, nearly neon orange and pink fields of color are contrasted by an electric blue large path brushstroke. The composition and color are reminiscent of the coral, magenta and rose sunset against a blue body of water. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...