Jeff Koons

Balloon Venus

CUORE 2004 Tecnica mista su carta applicata su tela Mixed media on paper, on canvas cm 75 x 53 Firma e anno in alto a sinistra. Al retro firma e dedica Signed and dated higher righ...

SENZA TITOLO Litografia es. 64/99 Lithograph es. 64/99 cm 70 x 50 Firma e tiratura in basso Signature and edition bottom below PROVENIENZA Galleria Il Traghetto, Venezia PROVENAN...

SENZA TITOLO 1962 Tecnica mista su tela Mixed media on canvas Senza cornice/Without frame: cm 70 x 70 Con cornice/With frame: cm 73 x 73 Firma e data in basso a sinistra “Plessi...

GILDA Seridècollage cm 100×70 Firma a matita in basso a destra, P.A. Signed with pencil lower right, P.A. Timbro a secco in basso a sinistra Edizioni Fondazione Rotella, Milano E...

THEATER WITH BULB 2001 Mixed media and collage on cardboard 99 x 70 cm; applied on faesite Mixed media and collage on paper 99 x 70 cm; on hardboard cm 112 x 82 Signature en bas à...

TENERA LA NOTTE Dècollage 
cm 100×70 Firma a matita in basso a destra. II/L in basso a sinistra Signed with pencil lower right. II/L lower left

This beautiful modern lamp by contemporary artist Susan Woods is both a unique piece of art and a functioning design element. The lamp is made out of con...

A set of four (4) holograms by Chuck Close. "Self Portrait" is a set of four (4) self portraits in blues and blacks by contemporary American artist Chuck Close. The work is numbered CC(13)4 and is editioned 13/23 with 2 PPs. The holograms are unsigned. The dimensions listed are for each of the four (4) holograms, and they are framed separately. Chuck Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors. Throughout his career, Close has endeavored to expand his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conte´ crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries. His early airbrush techniques inspired the development of the ink jet printer. Working from a gridded photograph, Close builds his images by applying one careful stroke after another in multi-colors or grayscale. He works methodically, starting his loose but regular grid from the left hand corner of the canvas. His works are generally larger than life and highly focused. Close has been a printmaker throughout his career, with most of his prints published by Pace Editions, New York. He made his first serious foray into print making in 1972, when he moved himself and family to San Francisco to work on a mezzotint at Crown Point Press for a three-month residency. In 1986 he went to Kyoto to work with Tadashi Toda, a highly respected woodblock printer. In 1995, curator Colin Westerbeck used a grant from the Lannan Foundation to bring Close together with Grant Romer, director of conservation at the George Eastman House. The artist has also continued to explore difficult photographic processes such as daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular/cell-based forms such as tapestry. Close’s photogravure portrait of artist Robert Rauschenberg, “Robert” (1998), appeared in a 2009 exhibition at the Heckscher Museum of Art in Huntington, New York, featuring prints from Universal Limited Art Editions. In the daguerreotype photographs, the background defines the limit of the image plane as well as the outline of the subject, with the inky pitch-black setting off the light, reflective quality of the subject’s face. Close’s wall- size tapestry portraits...

A suite of four holograms by Chuck Close. "Self Portrait" is a contemporary artwork in a palette of blacks and blues by Chuck Close. Each piece measures 14 x 11 in. The work is editioned 16/23 with 2 PPs and is numbered CC(16)2. Chuck Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors. Throughout his career, Close has endeavored to expand his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conte´ crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries. His early airbrush techniques inspired the development of the ink jet printer. Working from a gridded photograph, Close builds his images by applying one careful stroke after another in multi-colors or grayscale. He works methodically, starting his loose but regular grid from the left hand corner of the canvas. His works are generally larger than life and highly focused. Close has been a printmaker throughout his career, with most of his prints published by Pace Editions, New York. He made his first serious foray into print making in 1972, when he moved himself and family to San Francisco to work on a mezzotint at Crown Point Press for a three-month residency. In 1986 he went to Kyoto to work with Tadashi Toda, a highly respected woodblock printer. In 1995, curator Colin Westerbeck used a grant from the Lannan Foundation to bring Close together with Grant Romer, director of conservation at the George Eastman House. The artist has also continued to explore difficult photographic processes such as daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular/cell-based forms such as tapestry. Close’s photogravure portrait of artist Robert Rauschenberg, “Robert” (1998), appeared in a 2009 exhibition at the Heckscher Museum of Art in Huntington, New York, featuring prints from Universal Limited Art Editions. In the daguerreotype photographs, the background defines the limit of the image plane as well as the outline of the subject, with the inky pitch-black setting off the light, reflective quality of the subject’s face. Close’s wall- size tapestry portraits...

We are pleased to present this 1984 mixed media wall installation by acclaimed Russian-American modernist artist Alexander Liberman. Alexander Liberman led a dual life--as the the noted editorial director for Conde Nast publications for nearly 30 years and as an acclaimed minimalist sculptor and painter whose works were noted for their bright colors and large size. He was named editorial director in 1962; he had his first show, at Betty Parsons Gallery, in 1960. His works can be found in the collections of the Metropolitan Museum of Art, the Hirshorn Museum, the Guggenheim, the Tate, the Whitney, MOMA, LACMA and the Storm Art...

Arno ADN Tirelire American piece Techniques mixtes sur résine Pièce unique Signature de l’artiste circa 2018 22x10x8 cms 190 euros

This dynamic mixed media construction was realized by the esteemed American artist Ladislas Segy (1904-1988)- whose work is represented in the collection of the Brooklyn Museum of Ar...