Emulsion More Art

.Mediations in Blue & Green l Mediations in Blue & Green ll is also listed About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints ...

Composition with Black and ochre II, 50 X 38, mixed media on panel About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa ...

"Peace and Power" is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a horizontally oriented rectangular piece and measures 30 inches high by 40 inch...

Mediations in Blue & Green ll Mediations in Blue & Green l is also listed About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in...

About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract expressionism ...

Maria Eugenia Casuso Hypnosis 1987 Acrylic on canvas 32x40 $5,500 Mid-Century Modern piece that meets with Op Art / Abstract Geometric Found in storage and re-released at Art Palm...

Remembering the Albaicin On wood panel About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discover...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in a photo series by Roberta Fineberg inspired by a poem by the 13th Century Persian poet Rumi who wrote: ‘Whatever you know, or don’t - only love is real...

Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue Actual Dimensions: 8.75 X 19.75 X 5.75 inches Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...

This piece is from the LOVE rugs series by Robert Indiana, issued by Galerie f in 2007. This rug is an editioned, hand-carded carpet by Robert Indiana. Th...

**ANNUAL SUPER SALE TIL JUNE 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* A handful of artist 'masters' colorful dots but all o...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...