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PaperLandscape collage on linen canvas 100x80 cm 2020 PaperLandscape is a series of artworks inspired by landscape and nature, nature and the passag...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Sku: XX7014-R Artist: Pablo Picasso Title: Picasso in his Posters - Image and Work, Volume I Year: 1992 Signed: No Medium: Book Paper Size: 12.25 x 9.75 inches ( 31.115 x 24.765 cm )...

Les Amans d'Arlequin is an artwork realized by Gino Severini in 1930. Pochoir from the Suite "Fleurs et Masques". Very good condition. Signed in plate on the lower right. Ref. Ca...

A storytelling work of Africa Cubism Style Post Modern About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint...

James Koskinas_ Not framed. Does not need to be framed. This large scale painting of a head hints at Picasso. Both technically accomplished and classically approached, the thick gestural brushstrokes add a fragmented & tactile character to the canvas. Warm palette juxtaposed against cool gray background. This comes stretched and ready to hang. Message me for shipping quote About the artist: James Koskinas, born in Terre Haute...

James Koskinas_ White Horse and Rider with Blue, 60 X 48 acrylic on canvas Not framed. Does not need to be framed. This large scale painting of a head hints at Picasso. Both technic...

Yayoi Kusama When Life Boundlessly Flares Up to the Universe, 2014 Print on the cotton towel Size 92 x 34 x 2.5 cm Framed with the black aluminium frame and the UV-protected acrylic ...

Banjo. Art Deco era musical instrument to be restored in inlaid wood. Signed on the handle Achille Jacomoni, the signature is made with the pyrographed technique. Materials: Wood, ...

The hair is made of actual gold leaf (imitation), so the hair shines and sparkles nicely in light. Original painting. Acrylic, oil, paper and gold leaf on high quality linen canvas s...

Limited edition of 999 With this book, Jaume Plensa pays tribute to the poet Vicent Andrés Estellés and artistically reads L'Hotel París, a work that had ...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...