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Anastasia Pelias
White Group 4

1991

About the Item

In her studio practice, Pelias embraces a process that is both intuitive and deliberate. Her work moves from paintings on canvas and works on paper to site-specific installations, objects and video. Her intention is to invite the viewers to experience a suspended moment and also to engage in their own consciousness. The human-size scale of her interactions with diverse media allows the viewer to immerse oneself in the work as opposed to simply being an observer. Greek rituals and icons, the rich Afro-Caribbean culture in New Orleans, the shifting landscape of both her immediate environment, Louisiana, and of her familial home, Greece, all equally inform her work. Relationships have always been at the center of what motivates Pelias to make art. These often include formal relationships dealing with color, marks and space as well as the different kinds of tension that exist between objects and forms. Her work draws upon relationships between people, their narratives and their environments while also exploring the complexities and absurdities of these connections – between man and woman, between mother and daughter and between friends. Deep ancestral connections are ever-present in Pelias’ works, weaving their way through and in between her exploration of these relationships – resonating even if they’re not always understood. Pelias wants to reveal the poetic moments that exist within and between these relationships. She hopes to create work that is full of emotion and visual pleasure.
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    triptych Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New...
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    full title: "'Nostalgia is, so to speak, an epidemic in New Orleans' - Harry Pelias, December 1971 (lemon yellow, translucent golden green, natural bohemian earth, manganese cerulean...
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