Anthony McNaught

'Sabrina's Wedding' California Post-Impressionist, Esalen, Santa Cruz Art League

2014

Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This San Francisco Bay area artist studied with Jerry Morgan at the San Francisco Art Institute and has ex...

A lyrical, cabinet-size abstract comprising complex striated and overlapping pastel elements of aqua, chartreuse, saffron and jade applied with alla prima brushwork. Signed lower right, 'Ant'; additionally signed verso, titled 'Sabrina's Wedding II' and dated 2015. This California artist studied with Erin Gafill...

Signed lower right, "Stonely" for Dorothy Stonely (American, 20th century), titled verso "Redolent" and painted circa 2005. Abstract painting comprising interspersed with spiral cloud forms in aqua, purple, and goldenrod contrasted against a vivid scarlet field . Stonely is a Signature Member of the International Society of Acrylic Painters. She has exhibited widely and with success, including at the Pacific Grove Art...

Signed lower right, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, '79'. Retaining original, card, mat and backing boards. Titled on board, 'City Dwellings #2...

An elegant, cabinet-size, American School abstract comprising fragmented structural areas of goldenrod, coral, and ebony, superimposed on a soft field of jade and sage green. Signed...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, outside of design, '79'. Retaining original, card, mat and backi...

A set of 12 original mixed media monotype and painting mixed media works by American contemporary artist Monica Angle. These pieces were inspired by the changing light throughout th...

Ky Anderson Feelers, 2019 pigment and acrylic on paper 72 x 84 in. (and272ap) This original painting on paper by Ky Anderson features bold shapes and curving lines in saturated shad...

Acrylic and pasted papers on canvas mounted on board 50.8 x 40.6 cms (20 x 16 ins) This collage includes a fragment of a 1985 print, Burning Sun. Although Motherwell signed...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...

acrylic on paper