Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Arne Hiersoux
Mem Sahib

1962

About the Item

A painting by Arne Heirsoux. "Mem Sahib" is an acrylic and paper on canvas, abstract painting by Post War artist Arne Hiersoux. "Mem Sahib" is depicted in deep reds, blues, blacks, tans and creams. "Mem Sahib" is signed and dated lower right, "Hiersoux 62." For Arne Hiersoux, American Abstract Expressionist and “Action Painter” 1938- 1983, life itself was this space. Hiersoux brought this no holds-barred spirit of creativity to bear in both his artistic and entrepreneurial pursuits. The legacy he leaves behind chronicles both the artistic and business climates of this uniquely American period. Born in West Virginia, in 1938, to a family of accomplished chamber musicians, Hiersoux learned the value of art and the discipline required of a true creative. For Arne, the complete integration of art and life meant that he committed as fully to his paintings as to his business ventures, always layering and circling back to create something new, inspiring and enduring. From the beginning, Arne was given permission to make a career in the arts. In his youth, the family made a trip to New Mexico. Arne was profoundly influenced by this landscape. The openness and endless sense of space, to him, meant unlimited possibility. The mysterious spirit of Native American’s way of life, so different from his own, captivated the young man’s soul. These influences led Arne to push the boundaries of man’s relationship to the physical and spiritual world, both in art and in business. Arne spoke occasionally of a premonition of a short life, which may have contributed to the underlying drive for his tireless energy. In a series of black and white paintings referencing Franz Kline, figures could be detected obliquely emerging through the expressionism of splashes and drips. The reference to “figures” appeared through out his work of the next few years. In 1962 at the Richmond Art Center, Arne exhibited a series of collages, using paper and acrylic on canvas. It was in show that he also began pushing the limits of size, with one painting stretching to eighteen feet. In the oil paintings shown in his one-man show at the Palace of the Legion of Honor, in 1963, the figures became more defined and appeared to be carrying a burden, or possibly forming wings. A subsequent show at Mills College, 1966, brought together his figures and their abstract worlds. At the same time the grand scale and unusual shapes of some of these works evoked questions about the relationship of the physical life of the paintings, and their environment. Hiersoux was awarded an artist in residence fellowship in 1969 for the following year at the University of Pennsylvania, Philadelphia. The University was completing construction of the impressive Annenberg School for Communications. As part of the opening Arne was invited to exhibit in the lobby his expansive and euphoric Berkeley Park paintings. These paintings, impressive in their size, reflected his newfound love of flying – using poured paint, much like Pollock or Morris Louis.
  • Creator:
    Arne Hiersoux (1938-1983, American)
  • Creation Year:
    1962
  • Dimensions:
    Height: 70.5 in (179.07 cm)Width: 120.5 in (306.07 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Palm Desert, CA
  • Reference Number:
    Seller: 67931stDibs: LU93437622
More From This SellerView All
  • Cassandra Kiss
    By Arne Hiersoux
    Located in Palm Desert, CA
    An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Cassandra Kiss" is executed in bold strokes, splashes and drips of deep blue, red, back and white ...
    Category

    1960s Post-War Abstract Paintings

    Materials

    Canvas, Paper, Acrylic

  • Memphitis
    By Arne Hiersoux
    Located in Palm Desert, CA
    An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Memphitis" is executed in bold strokes, splashes and drips of black, red, green, yellow and ochre ...
    Category

    1960s Post-War Abstract Paintings

    Materials

    Acrylic, Canvas, Paper

  • Accolade
    By Arne Hiersoux
    Located in Palm Desert, CA
    An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Accolade" is executed in bold strokes, splashes and drips of yellow, red, black and blue against a...
    Category

    1960s Post-War Abstract Paintings

    Materials

    Canvas, Acrylic, Paper

  • Yonder Cisco
    By Arne Hiersoux
    Located in Palm Desert, CA
    An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Yonder Cisco" is executed in bold strokes, splashes and drips of violet, blue, green, yellow, whit...
    Category

    1960s Post-War Abstract Paintings

    Materials

    Acrylic, Canvas, Paper

  • Untitled
    By Arne Hiersoux
    Located in Palm Desert, CA
    An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. This untitled work is executed in bold strokes, splashes and drips of white, black, red and blue ag...
    Category

    20th Century Post-War Abstract Paintings

    Materials

    Canvas, Paper, Acrylic

  • 9000 and 9 Nights
    By Hassel Smith
    Located in Palm Desert, CA
    A painting by Hassel Smith. "9000 and 9 Nights" is an abstract, acrylic and graphite on canvas executed in a bright palette primarily of yellow, sky blues, greens and deep salmon and...
    Category

    1980s Post-War Abstract Paintings

    Materials

    Canvas, Acrylic, Graphite

You May Also Like
  • Infinity Field (Jerusalem Series III #1)
    By Theodoros Stamos
    Located in Austin, TX
    Acrylic on canvas. Signed lower left; signed, titled, and dated verso. 65.75 x 50.25 in. 67.25 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Provenance Takis Efstathiou, PTE Fine Arts, New York Private Collection, New York Theodoros Stamos is heralded as one of the few abstract painters who bridged the New York School’s first and second generations. His age, in particular, afforded him this unique position, as he was the youngest member of the “Irascibles,” the core group of fifteen New York School painters publicized by Nina Leen...
    Category

    1980s Post-War Abstract Paintings

    Materials

    Canvas, Acrylic

  • Warm Beach (#108)
    By Joyce Kozloff
    Located in Austin, TX
    Acrylic and graphite on canvas. Signed and titled verso. 59 x 58.5 in. 61 x 60.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance B...
    Category

    1970s Post-War Abstract Paintings

    Materials

    Canvas, Acrylic, Graphite

  • Untitled (Savant Series)
    Located in Austin, TX
    Acrylic on canvas. Initialed and dated verso. 48 x 36 in. 49.5 x 37.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Iannetti Lanz...
    Category

    1980s Post-War Abstract Paintings

    Materials

    Canvas, Acrylic

  • Infinity Field (Jerusalem Series)
    By Theodoros Stamos
    Located in Austin, TX
    Acrylic on canvas. Signed, titled, dated, and inscribed verso. 68 x 50 in. 69.5 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Provenance Camillos Kouros Gallery, New York Private Collection, New York Theodoros Stamos is heralded as one of the few abstract painters who bridged the New York School’s first and second generations. His age, in particular, afforded him this unique position, as he was the youngest member of the “Irascibles,” the core group of fifteen New York School painters publicized by Nina Leen...
    Category

    1980s Post-War Abstract Paintings

    Materials

    Canvas, Acrylic

  • Green Center
    By Kenneth Lochhead
    Located in Austin, TX
    Acrylic on canvas. Signed, dated, and titled verso. 62.25 x 62.25 in. 63.75 x 63.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance MacKenzie Art Gallery, Regina, Canada Private Collection, Lancaster, PA Exhibited "," June 2, 2003-July 15, 2004, The Edmonton Art Gallery, Edmonton, Canada. Publications "Kenneth Lochhead: Garden of Light...
    Category

    1960s Post-War Abstract Paintings

    Materials

    Canvas, Acrylic

  • Yellow Tail I
    By Sherron Francis
    Located in Austin, TX
    Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...
    Category

    1970s Post-War Abstract Paintings

    Materials

    Canvas, Mixed Media, Acrylic

Recently Viewed

View All