Estelle Asmodelle

Strings Part 2

2023

This artwork is about reflecting on someone who had an emotional influence on my life, Candy. She helped me at a crucial time and so this work is dedicated to her memory. It is an emotional work that simply displays positive emotions. This work is painted in the style of abstract expressionism. This work is painted on professional-grade canvas and has been sealed with varnish. The canvas has the dimensions i91.4 cm height x 182.9 cm width. This artwork is shipped rolled-up and unmounted due to excessive shipping fees for large mounted artworks. The collector would need to have the work remounted with this local framing store and to compensate this item has FREE SHIPPING. This work was created on the 4th day of February 2021. A Certificate of Authenticity with hologram - verification is attached to the image. Estelle Asmodelle...

This artwork is an exploration of how sometimes we can see a great deal of detail in darkened places, such as these darkened crystals. The work is in the style of abstract expression...

This painting is the second with the same theme. This work explores the emotional essence of Springtime, the feeling and the sense of what Spring is about. In an abstract sense, I us...

This painting the emotional essence of Springtime, the feeling and the sense of what Spring is about. In an abstract sense, I use the constrast between yellow and black on white to g...

This piece is an fully emotional piece and a GENDER CHANGE experiment. Both pieces were half painted in 1980 – just before I went into gender transition. While the emphasis was on t...

This artwork is an emotional exploration of how different colours are initially in opposition but as they move across and into the canvas they enhance each other. It is very similar ...

Artist Motivation: One of the newest urban, "Street Styled" Abstract Expressionism paintings by Michelle Thomas! Hang it anywhere - "Big City, Small Town" is rendered in a palette ...

Artist Motivation: "By Any Means" is bold, gritty, modern, vibrant and compelling! This "Street Style" Abstract Expressionist painting is raw and captivating! "By Any Means" fits ...

"Imprints of time" abstract acrylic 81x65cm 2022 During a trip to Prague, I observed on a balustrade of an extraordinary cathedral, inscriptions worn out by time I was inspired by ...

"Coveted spheres" abstract acrylic collage 50x50cm 2022 the moon and the earth are reduced to objects that we covet and want to appropriate I worked as if it were porcelain objects...

Richard Andres (American, 1927-2013) Shore V, c. 1964 acrylic on canvas signed lower right, signed and titled verso 54 x 44 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

#577 by Jessie Woodward [2022] Signed by the artist Acrylic on canvas Size: H:80 cm x W:100 x D3cm Please note that insitu images are purely an indication of how a piece may look #57...