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Harriette JoffeRed Rider
About the Item
Oil monotype
Joffe's career spans the post-World War II Abstract Expressionist movement to the present. She is known for her powerful images of women and horses, often intertwined, and representing reciprocal ideas of power, grace and beauty. Indeed, one NYT critic said that she returned the beauty and grace to the female form that De Kooning had taken away. If you look closely at this painting, you will just be able to identify what appear to be female forms and horses.
Embraced by the first generation of Abstract Expressionist painters on the East End of Long Island, she represented a link to central figures in the avant-garde of 20th century American art, including such artists as Willem De Kooning (she was a studio assistant), Philip Pavia, Ibram Lassaw, John Little and Balcomb Greene. She did Tai Chi with Elaine De Kooning on the beach in East Hampton. She exhibited nationally in galleries and museums, showing alongside artists such as Roy Lichtenstein, Eric Fischel, Linda Benglis, April Gornick, Larry Rivers, and Jackie Windsor.
Joffe also worked with the pioneering Down Under Manhattan Bridge Overpass, or DUMBO, artists finding a voice within the then emerging New York City avant-garde in the 1970s. Joffe's contribution to the history of Abstract Expressionism is featured in the East Hampton Parrish Museum's "oral histories" series.
- Creator:Harriette Joffe (1935, American)
- Dimensions:Height: 20 in (50.8 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lawrence, NY
- Reference Number:1stDibs: LU149729841902
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