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Joanne FreemanSpace_17 (summer 15) (Abstract painting)2017
2017
About the Item
Space_17 (summer 15) (Abstract painting)
Oil on linen - Unframed.
"She uses tape to mask out shapes and employ hard edges, working spontaneously, placing down a shape and then building upon it.
Her use of singular color accentuates the interplay of ground, foreground relationships.
Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language.
Joanne Freeman is an American abstract painter who creates minimalist reductive paintings and works on paper, featuring hard edged abstract forms and bold, vivid, gestural markings. She lives and works in New York City."
- Creator:Joanne Freeman (1954, American)
- Creation Year:2017
- Dimensions:Height: 18.12 in (46 cm)Width: 18.12 in (46 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU659311245532
Joanne Freeman
Freeman attended the University of Wisconsin, where she earned a B.S. in Fine Arts in 1976. She earned her M.A. in Studio Art from New York University in 1981. She has taught painting and drawing at NYU and The New School for Social Research and worked as a visiting artist and lecturer at The New York Studio School and the Massachusetts College of Art. Freeman is heavily influenced by the ideas of the Bauhaus School, which emphasized combining the ideas and techniques of art, architecture and design. She endeavors to present new forms in a simple way. Freeman has exhibited her amazing paintings extensively in galleries and museums, in solo and group exhibitions, throughout the US and internationally. The artist's solo show entitled Recent Paintings and Drawings was on display at Kathryn Markel Fine Arts, NY, in February 2016. Her art has been reviewed in ARTnews and The New York Observer. The American artist paints with gouache on Khadi, a handmade Indian paper fashioned from long fibered cotton. Her oeuvre is exemplified by vivid colors, geometric shapes, hard edge lines, and curved, gestural marks painted against white backgrounds. Freeman presents a reductive visual language that references urban symbols and signs, architectural patterns, and the interplay between shadow and light.
Freeman's process involves taping off areas to create hard edges, and combining those areas of control with spontaneous mark making. The scale of her works and the marks she creates are both dictated by the extent of her physical reach. The resulting images express physicality, emotion, limitation and randomness, combined with a precise, minimalist aesthetic.
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