Julia Marc

Bolder Strokes 21

circa 1980

Artist: Thornton Willis, American (1936 - ) Title: Working Man Year: 1981 Medium: Acrylic on Canvas, signed and titled verso Size: 84 x 94 in. (213.36 ...

Artist: Jenik Cook Title: Abstraction No. 5 Medium: Acrylic on Canvas, signed l.r. Year: circa 1980 Size: 32 x 44 inches Framed: 38 x 50 inches

Artist: Elwood Howell, American (1933 - ) Title: Benders Fog Fold Sweep Year: 1976 Medium: Acrylic on Canvas, signed l.r. Size: 50 x 50 in. (127 x 127 cm)

Artist: Elwood Howell, American (1933 - ) Title: Nereides Series IX Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 49 x 66 in. (124.46 x 167.64 cm)

Artist: James Suzuki, Japanese/American (1932 - ) Title: Instability Year: circa 1975 Medium: Acrylic on Canvas, signed verso Size: 57 x 59 in. (144.78 x 149.86 cm)

Artist: Nick Wallis, American XXth Title: Parallels on Peach Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 60 x 48 in. (152.4 x 121.92 cm)

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

Abstract expressionist work of art by Joseph Hicks. Joseph Hicks’s works are bright and colorful, full of life and creativity. His canvases are full of energy and dynamism due to t...

An emblematic example of Paul Jenkins mastery. It is not by hazard that Phenomena West Mantle was chosen as the cover of the catalogue for the groundbreaking exhibition "Paul Jenkins...

Phenomena Greet by Day by Paul Jenkins (1923-2012) Acrylic on canvas 146 x 114.3 cm (57 ½ x 45 inches) Signed lower right, Paul Jenkins Executed in 1994-1996 Provenance: Private collection, New York (acquired directly from the artist) Stern Pissarro Gallery, London Private collection, Netherlands Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

The work of veteran New York abstractionist Francine Tint was championed by uber-critic Clement Greenberg late in his career, and early in hers. Tint’s work explores the realms of A...

The work of veteran New York abstractionist Francine Tint was championed by uber-critic Clement Greenberg late in his career, and early in hers. Tint’s work explores the realms of A...