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Katarina Dordevic 'Forgotten Idols II, ' by Katarina Dordevic, Acrylic on Canvas Painting2007
2007
About the Item
This 32.25" x 46" painting by artist Katarina Dordevic features a key idea of the artists work. The transfiguration of artifacts in contemporary context. In this work Dordevic's central figures are several biomorphic fossil like forms. Per the artist, the two larger forms are representative of Eros and Tanatos marked by human expression. The artist has used a drip technique to ad depth ot the surrounding fossil forms. In In the lower fourth of the canvas Dordevic has used textural marks to separate the two planes in the work. Dark colors of brown, navy, black, and rust, turquoise and orange are present throughout.
'Forgotten Idols II' has been exhibited across Serbia, Turkey, Bulgaria, and Bosnia and Herzegovina.
Katarina Dordevic is a painter, printmaker and full time professor for painting, born in Nis, Serbia, where she currently lives. She graduated and post graduated from the University of Arts in Belgrade (MFA in Painting, 1994) and is currently undertaking a Fine Arts Doctorate at the same university. Katarina has an academic career spanning more than 18 years at the University of Nis in Serbia and she has been artist-in-residence and guest lecturer in fine arts at the Fundación Valparaiso in Spain, the 33officinacreativa Foundation in Italy, the Robert Gordon University in Aberdeen in UK, the University of Veliko Tarnovo in Bulgaria and the Akdeniz University in Turkey.
Her works has been exhibited in a number of solo and group exhibitions throughout Europe and Asia and her paintings, drawings and printmaking are included into public and private collections. She has received various awards for the artistic achievements in Serbia, Canada and Czech Republic.
Katarina’s creative practice takes the form of paintings, drawings, printmaking and objects. The experience gathered during numerous travelling to various countries and places has been huge source of inspiration for her artwork, which pointed out some similarities between cultures, traditions, people, faiths, and differences, as well. Nature phenomena, reflection of light, atmosphere of local places and patina with which the archaeological remnants are covered influenced her art, therefore vibrant, rich textures outspread compositions of her paintings. She constructs intimate, private and personal interior from the elements of the world heritage and myth narratives and puts it in the contemporary context, emphasizing its universal symbolic potential.
- Creator:Katarina Dordevic (Serbian)
- Creation Year:2007
- Dimensions:Height: 32.25 in (81.92 cm)Width: 46 in (116.84 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Oklahoma City, OK
- Reference Number:
Katarina Dordevic
Katarina Dordevic is a painter, printmaker and full time professor for painting, born in Nis, Serbia, where she currently lives. She graduated and post graduated from the University of Arts in Belgrade (MFA in Painting, 1994) and she is currently undertaking a Fine Arts Doctorate at the same university. Katarina has an academic career spanning more than 18 years at the University of Nis in Serbia and she has been artist-in-residence and guest lecturer in Fine arts at the Fundación Valparaiso in Spain, the 33officinacreativa Foundation in Italy, the Robert Gordon University in Aberdeen in UK, the University of Veliko Tarnovo in Bulgaria and the Akdeniz University in Turkey. Her works has been exhibited in a number of solo and group exhibitions throughout Europe and Asia and her paintings, drawings and printmaking are included into public and private collections. She has received various awards for the artistic achievements in Serbia, Canada and Czech Republic.
Katarina’s creative practice takes the form of paintings, drawings, printmaking and objects. The experience gathered during numerous travelling to various countries and places has been huge source of inspiration for her artwork, which pointed out some similarities between cultures, traditions, people, faiths, and differences, as well. Nature phenomena, reflection of light, atmosphere of local places and patina with which the archaeological remnants are covered influenced her art, therefore vibrant, rich textures outspread compositions of her paintings. She constructs intimate, private and personal interior from the elements of the world heritage and myth narratives and puts it in the contemporary context, emphasizing its universal symbolic potential.
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