Lech Ostrokow

Dynamo (Framed Mid-Century Modern Cubism Painting)

You don't have to be a Catholic, or a medievalist, or a Catholic medievalist (Tolkien?) to appreciate this striking image of St. George taking on the dragon. In style it falls somewhere between Cubism and Guernica, to my eye. The limited color palette, with the bold red, gives it the energy of early 20th-century Russian poster...

A burst of pure delight in primary colors, by a notable artist who's been exhibited at many of America's most important museums. It was painted during the mid-century resurgence of c...

Painted on deep-profile gallery-wrapped canvas, comes ready to hang. Artist's Statement: "A new take on an earlier series of paintings I did called "Aggregate," this time with fewe...

A burst of riotous color, perhaps a bouquet of flowers in a window, but not really representing anything exactly as much as expressing this joyful explosion - the artist titled the p...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. The complementary underpainting, setting the stage for the wax and oil later...

Oil on board. Signed. Framed. Image size, 24H x 30L

French School, cubist artist circa 1970's oil on canvas, unframed canvas: 20 x 16 inches provenance: private collection condition: a couple of marks to the surface but overall good ...

Artist/ School: French 20th Century artist Title: Cubist street scene at dusk Medium: oil painting on canvas, unframed. canvas: 25.5 x 21.25 inches Provenance: private collectio...

Predominantly recognized as a self-taught painter, he also worked in architectural murals, sculptures, ceramics, prints and drawings. Vigas is one...

A beautiful 1960's oil on panel cubist composition. Excellent quality and condition work. Signed with a monogram lower left. Artist/School: English School, 20th century Title: Cubis...

Armando Barrios Composición XXVI , 1955 Oil on canvas 110 x 66 cm 43.3 x 25.9 in. The work is registered under No. 254, in the General Catalog (1930 - 1999) La Pintura Como Razón de Ser, edited by Armando Barrios Foundation, Caracas, Venezuela, 2005. " Armando Barrios was born in Caracas on August 21, 1920. Son of Serapio Barrios and Carmen Rodríguez de Barrios, both of Spanish origin. Since his adolescence he developed a great love for the arts, so from the age of 12 he was already studying at the School of Fine Arts and Applied Arts in Caracas. His searches in the artistic field were initially directed towards the study of the Impressionist and Cubist schools...