Matthew Jay Russell

Matthew Jay Russell, "Racing Feet I" 20x20 Abstract Horseshoe Painting on Canvas

2023

"Racing Feet II" is a 20x20 mixed media painting on canvas by artist Matthew Jay Russell, featuring a grid of repeating horseshoes. Layering of textures and mixed media in soft blues...

This piece, "City Light and Shadows", is a 46x46 oil painting on canvas by artist Craig Mooney featuring a side view down a bustling New York City street. Reflections from the cars a...

This vibrant and abstract portrait, "Hat Fancy", by artist Shawn Faust features a depiction of a woman wearing a large, colorful hat. The woman herself is painted in a realistic sty...

"Mystic Morning" is a 48x30 oil painting on canvas by artist Matthew Jay Russell, featuring an empty red dory floating on the water while light ski...

"Rain Walk", is a 18x24 original oil painting on canvas by artist Olaf Schneider. Depicted is the reflection of a pedestrian, with their dark silhouette and red umbrella are cast ac...

"Red", is a 24x18 original oil painting on canvas by artist Olaf Schneider. Depicted in the painting is the reflection of a pedestrian and red umbrella, with their silhouette cast a...

Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observ...

Three Gifts is a beautiful oil and mixed media painting on canvas, realized by the Italian artist Marco Amici in 2002. Original Title: Tre Doni Title and monograms are written by t...

A summer meadow strewn with wild flowers, re-interpreted to create an effect like a tapestry or sampler. Mixed media but mainly oil, on canvas. Framed in a white tray frame - framed ...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Oil and Mixed Media on Canvas A Nebula is an interstellar cloud of dust and gases where stars are born. The Swan Nebula (which is also called the Omega Nebula and catalogued as Me...