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Matthew LangleySome Velvet Morning (Abstract painting)2012
2012
About the Item
Some Velvet Morning (Abstract painting)
Acrylic on paper mounted on wood panel - Unframed.
"Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizing the painted surface.
Langley's artistic background relate to a wide variety of interests. He is well versed in Color Field painting - in particular, work by Morris Louis, Sam Gilliam, and Gene Davis, as well as the abstraction from Mark Rothko, Richard Diebenkorn, Callum Innes among others. "
- Creator:Matthew Langley (1963, American)
- Creation Year:2012
- Dimensions:Height: 15.99 in (40.6 cm)Width: 12.01 in (30.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU659312619282
Matthew Langley
Matthew Langley is an abstract American artist. He is interested in a balance of color and process, mark making and field, scale and relationship, planning and improvisation. He lives and works in New York City. The artist studied at Virginia Commonwealth University and graduated from the Corcoran School of Art in 1986. Langley's work is featured in various corporate as well as public collections, including MacAndrews & Forbes and the Doris Patz Collection (University of Maryland University College). The NYC-based artist has widely exhibited in solo and group exhibitions in the United States, mainly on the East Coast. His recent one-man shows include The New Paintings at Blank Space, New York, NY in 2015, and Looking In: New Painting at Axom, Rochester, NY in 2014. Langley's work has been covered in publications such as Art in America and The Washington Post. Matthew's technique in creating the artworks come from building and extending as well as reducing and minimizing the painted surface. He believes that this is not counter-productive, that often the way forward is to build, rebuild and start again. Often this will employ semi-transparent layers of paint combining the under surface of the artwork to achieve the artist's intent.
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