Michael PaukerVintage Black & White Minimal Neo-Expressionist Abstract Oil Painting1977
1977
About the Item
- Creator:Michael Pauker (1957, American)
- Creation Year:1977
- Dimensions:Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Soquel, CA
- Reference Number:
Michael Pauker
Inspired by Abstract Expressionism and driven by deep curiosity, artist Michael Pauker has created an expansive oeuvre that is inclusive of abstract and figurative paintings, landscapes, sculptures, prints and collages constructed with scraps of aging historical documents, watercolor paints and found objects.
“As an artist, I am not a one-trick pony,” he has said. “Some artists find success doing one thing and stick just with it. But my curiosity is omnivorous. I’m driven by images I’ve never seen before, both abstract and figurative.”
Born in 1957 in New York, Pauker knew he wanted to be an artist from the age of 15. He earned his BFA from the State University of New York (SUNY), then in 1989, completed his MFA at Mills College (now Mills College at Northeastern University) in Oakland where he was awarded the City of Oakland Fellowship in Painting.
Since 1988, Pauker has lived and worked in the Bay Area, teaching art in various venues such as schools, colleges and institutions including the California Medical Facility in Vacaville, the state’s prison hospital, for several years. When he isn’t teaching, Pauker focuses on creating art — the mediums of which can change by the moment.
While he works in oil on canvas for most of his paintings, Pauker is also known for his “Miniature Collage” series. He has worked on this series for more than a decade. Other works include abstract drawings and figurative watercolors blended with collages of vintage paper, stamps and found objects — his Oesterreich II is an example of the latter.
Pauker has exhibited widely across the United States, Japan and Costa Rica, and his works are held in the public collections of many institutions including the Fine Arts Museums of San Francisco.
Find authentic Michael Pauker art on 1stDibs.
- ShippingRetrieving quote...Ships From: Soquel, CA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "After Party", Large Scale Neo-Expressionist Abstracted Symbolist FigurativeBy Michael William EgglestonLocated in Soquel, CA"After Party", Large Scale Neo-Expressionist Abstracted Symbolist Figurative Striking abstracted figurative titled "After Party" by Michael Eggleston (Ame...Category
1970s Neo-Expressionist Figurative Paintings
MaterialsCanvas, Oil
- "Selfie in Hell" Figurative AbstractBy Michael PaukerLocated in Soquel, CA"Selfie in Hell", a large-scale figurative abstract evoking the style of Basquiat, where many faces and figures are layered in the chaotic space that is Paulker's hell, by Bay Area artist Michael Pauker (American, b.1957). Signed "Michael Paulker...Category
21st Century and Contemporary Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Cafe Society", Surreal Large-Scale Figurative AbstractBy Michael PaukerLocated in Soquel, CA"Cafe Society", a large-scale figurative abstract evoking the style of Basquiat, where many faces, figures, and a blue bust with glowing eyes are layered in a surreal, dream-like space by Bay Area artist Michael Pauker (American, b.1957). Signed "Michael Paulker...Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
MaterialsCanvas, Oil
- "Who is the Loneliest Monk?" Contemporary Surreal Figurative AbstractBy Michael PaukerLocated in Soquel, CALarge-scale contemporary figurative abstract on red, evoking the style of Basquiat, by Bay Area artist Michael Pauker (American, b.1957), 2008. A man in a tuxedo sips a martini in the foreground, surrounded by chaotic layers of faces and figures in a surreal, dream-like space. Signed "Michael Paulker...Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
MaterialsPermanent Marker, Oil, Canvas, Acrylic
- Large-Scale Modern Argyle AbstractBy D.S. SilverLocated in Soquel, CAWhimsical large-scale abstract presenting a modernist take on old-fashioned argyle shapes with contemporary color palate by D.S. Silver (American, 20th Century), a San Francisco, Cal...Category
1980s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Large Scale Neo-Expressionist FigurativeBy Daniel David FuentesLocated in Soquel, CACompelling and large scale neo-expressionist figurative painting by San Jose, California area artist Daniel David Fuentes (American, 20th century), Circa 1995. Unsigned. From a colle...Category
1990s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Cool BlueBy Ford CrullLocated in Brooklyn, NY“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...Category
2010s Neo-Expressionist Abstract Paintings
MaterialsEnamel
- "Magicians Dream" Painting 71" x 59" inch by Vera KochubeyBy Vera KochubeyLocated in Culver City, CA"Magicians Dream" Painting 71" x 59" inch by Vera Kochubey * * * SHIPPED: ROLLED CANVAS * * * The majority of Kochubey’s paintings take the form of hea...Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
MaterialsCanvas, Mixed Media, Oil, Acrylic
- "Divine Lovers" Abstract Painting 82" x 63" inch by Vera KochubeyBy Vera KochubeyLocated in Culver City, CA"Divine Lovers" Abstract Painting 82" x 63" inch by Vera Kochubey * * * SHIPPED: ROLLED CANVAS * * * The majority of Kochubey’s paintings take the form of heavily symbolic portra...Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
MaterialsCanvas, Mixed Media, Oil, Acrylic, Spray Paint
- Large Venezuelan Expressionist Oil Painting Diego Barboza Latin American MasterLocated in Surfside, FLDiego Barboza - 1945-2003 Hand signed and dated 1988 Oil on Canvas Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions. Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería) In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro). Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC. Select Group Exhibitions 1964 Ateneo de Caracas, Caracas, Venezuela 1965 Salón Arturo Michelena, Valencia, Venezuela 1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela 1971 Art Spectrum London, London, Great Britain 1972 Serpentine Gallery, London, Great Britain 1973 Midland Group Gallery, London, Great Britain 1974 Galería BANAP, Caracas, Venezuela 1975 Casa de Las Américas, La Habana, Cuba Museo de Bellas Artes, Caracas Galería de Arte Nuevo, Buenos Aires, Argentina 1976 Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Contemporáneo, Sao Paulo, Brazil Museo de la Tertulia, Cali, Colombia Bienal de Venecia, Venecia, Italy 1979 Centro de Artes y Comunicación, Buenos Aires, Argentina 1980 Galería NBC, Memphis, Tennessee, USA 1981 Galería de Arte Nacional, Caracas, Venezuela Museo de Arte Contemporáneo, Medellín, Colombia Museo de Bellas Artes, Caracas, Venezuela 1986 Museo de Arte La Rinconada, Caracas, Venezuela 1989 Galería Venzor, Chicago, Illinois, USA 1990 Museo Bellas Artes, Santiago de Chile, Chile 1992 Ambrosino Gallery, Coral Gables, Florida, USA 1993 Museo de Arte de Petare, Caracas, Venezuela Centro de Arte Lia Bermúdez, Maracaibo, Venezuela 1994 Galería Namia Mondolfi, Caracas, Venezuela 1995 Galería Art Nouveau, Maracaibo, Venezuela Galería Cesar Sassòn, Caracas, Venezuela Maremares Resort, Puerto La Cruz, Venezuela Galería Durban, Caracas, Venezuela Galería Odalys, Caracas, Venezuela 1996 Centro de Arte Grupo Li, Caracas, Venezuela Galería Uno, Caracas, Venezuela Centro Cultural Consolidado, Caracas, Venezuela Espacios Unión, Caracas, Venezuela Hebraica, Caracas, Venezuela 1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela CELARG, Caracas, Venezuela Galería Ocre Arte, Caracas, Venezuela Museo de Arte Contemporáneo , Maracay, Venezuela Galería Medicci, Caracas, Venezuela Awards 1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela 1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela 1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela 1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes, 1973 Premio Emilio Boggio...Category
1980s Neo-Expressionist Figurative Paintings
MaterialsCanvas, Oil
- UntitledBy Richard HennessyLocated in Surfside, FLRichard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries including Robert Miller, Hamilton, John Good and a retrospective at NYU’s Grey Gallery...Category
1970s Neo-Expressionist Abstract Paintings
MaterialsOil, Canvas
- Large German Neo Figuarist Abstract Expressionist Oil Painting Werner LiebmannLocated in Surfside, FLWERNER LIEBMANN (German b. 1951) "Elf Köpfe Bei Nacht," Oil on canvas, signed L/R, "Liebmann;" 29 1/4'' x 35 1/2'', framed 31'' x 37''. Werner Liebmann (born 1951) is a German painter and graphic artist . Werner Liebmann was born in Königsthal in Thuringia. Born in Königsthal from 1969 to 1973 he studied chemistry at the Martin Luther University in Halle (Saale) . From 1973 to 1976 he worked as a project engineer. He was active as a chemist until he opted for an artistic career and studied painting at the University of Art and Design in Halle. A master student of Bernhard Heisig, he graduated at the College of Fine Arts Leipzig. Since then, he has been a freelance artist, as well as a professor at the College of Fine Arts in Dresden and currently at the Art school Berlin – Weissensee. His works were represented at numerous group exhibitions and solo exhibitions in Halle, Hamburg, Berlin, Düsseldorf and further cities, mostly in Germany. Influenced by the Neo Figuraist artists of the Junge Wilde painters. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano Castelli, Rainer Fetting...Category
Late 20th Century Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil