Nan Van Ryzin

"Ocean" Abstract Contemporary Blue Oil on Canvas by Nan Van Ryzin

2019

Steven is now one of the top emerging artists in the U.S. His works are ground breaking, bold and imbued with unflinching disregard to painting conventions. ...

Steven is now one of the top emerging artists in the U.S. His works are ground breaking, bold and imbued with unflinching disregard to painting conventions. ...

"Ardor" by Steven Rehfeld is a captivating 19" x 19" mixed media contemporary abstract that invites viewers into a vivid realm of exploration. Dominated by passionate reds and fiery ...

There are many masterful abstracts out there, however, to be able to find ones on such a goliath scale is few and far between. To be able to create such massive abstracts, and not lo...

Steven Rehfeld's 30" x 30" abstract mixed media creation emanates a passionate intensity. Vibrant swaths of color, ranging from fiery reds and cool blues to rich golds, intermingle a...

This 30" x 30" contemporary abstract mixed media piece by Steven Rehfeld is a symphony of texture and color. Dominated by hues of rich crimson, deep brown, and stark white, the paint...

Johannes Boekhoudt is a Dutch artist born on October 20, 1966. In 1973, Boekhoudt immigrated with his parents to Costa Rica, eventually working as a commercial and air ambulance pilo...

Medium Sized Floral Abstract Geometric Oil Painting on Canvas. BIO: Carrie Johnson was born in Kansas City, Missouri, and grew up in the Chicago subur...

Medium Sized Abstract Geometric Oil Painting on Canvas. BIO: Carrie Johnson was born in Kansas City, Missouri, and grew up in the Chicago suburbs. She ...

Jim’s of Lambertville is proud to offer this artwork by: Mercedes Matter (1913 - 2001) Mercedes Matter, daughter of noted Philidelphia artist Arthur B Carles...

Jim’s of Lambertville is proud to offer this artwork by: Mercedes Matter (1913 - 2001) Best known as a painter of abstract still life and founder of the New York Studio School, M...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...