Nicholas Bodde

Nicholas Bodde Triptych Color Field on Aluminum

2013

"Untitled" by Beverly Fishman is a silkscreen on polished stainless metal filled with bright primary colors and repetitive designs and swirls. Fishman draws on a range of artistic and conceptual influences in crafting her unique canvases, from the industrial-inspired Minimalism of artists like Donald Judd or Frank Stella to techniques taken from the fields of science and medicine. The piece is signed and dated on verso by the artist along with the provenance via a label from the Bruno David Gallery in St. Louis, Missouri stating artist's name, title, date, size and medium and date of 2/2009 when it was in the possession of the gallery. Beverly Fishman’s neon-hued geometric works utilize both shaped canvases and eye-popping forms within the picture plane. Her subjects range from stars and boxes to depictions of human heads and skulls and crossbones and include cameos by pop culturalicons like the Teenage Mutant Ninja Turtles...

SALE ONE WEEK ONLY "The Banicor" is an exuberant lively piece full of intense color with a subtle coating of sparkles that catch the light in various ways and enhances the vibrant painted surface. It hangs free and explodes into lively movement against the wall. Al Loving...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

SALE ONE WEEK ONLY The energy and gusto of the applied paint in "Untitled Abstract" appears close to violent except for the calming influence of the circle in the middle. The red circle tempers the movement a little and brings all the strokes and wild directions into a harmony that is bursting with life. This is an extraordinarily expressive painting by Simpson. Simpson became the first African American to receive a prestigious five-year fellowship from the Charleston Scientific and Cultural Education fund and left South Carolina in 1949 for New York City after he finished high school. He attended New York University and Cooper Union while working in the frame shop of Herbert Benevy. Many well-known artists came to the frame shop and in time critiqued Simpson's work and developed a relationship with him. At NYU Simpson became acquainted with Hale Woodruff...

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...

SALE ONE WEEK ONLY "Blue Nocturne" is full of rich deep blues contrasted by oranges, red, black and white. The abstract composition is bursting with energy that pours out of the pai...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 19...

The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realities that touch the deepest fee...

"Flight of Fantasy" is a painting that invites the viewer to immerse themselves in a world of imagination and enchantment. With soft pastel tones and flui...

The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realities that touch the deepest fee...

The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realities that touch the deepest fee...

Ellen Hackl Fagan is an interdisciplinary abstract painter who believes that synaesthesia can be taught. Through interactive tools and crowd sourcing, Fagan is developing a correspo...