PJ Linden

"Primary Urchin" Colorful, decorative patterns with dimensional paint on glass

2014

This piece titled "Cultured Clam" is an original artwork by PJ Linden and is made from acrylic and dimensional paint on canvas. This piece measures 10”h x 10”w. Based upon patterns and textures found in nature, primarily aquatic life, the natural rough, granulated surfaces of shark and stingray skins, urchin spines and fish scales, as well as the markings and colorations serving to repel predators, Linden creates second skins or aposematic pelts, employing them as unconventional canvases. Born 1985 Bethlehem, Pennsylvania. PJ Linden is a New York City and Pennsylvania-based fine artist known for her abstract, three-dimensional work. She paints with machine-like precision, creating microscopic patterns on found objects, fashion, and technology. Linden got her start working with Patricia Field, creating custom, one-of-a-kind art and fashion under the name Wonderpuss Octopus. At Field's iconic, namesake boutique, Linden's work caught the eye of celebrity clients including Beyonce, Willow Smith, Kelly Osborne, and Solange Knowles...

"In Our Nature" is an original oil on canvas painting by American painter Katherine Fraser measuring 23.5”h x 28.5”w. This piece is from Katherine's newest series, which just recent...

This piece titled "Abundance Mentality" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 54" x 70" and is shipped in the pic...

This piece titled "The Gift" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 56”h x 58”w and is shipped in the pictured woo...

This piece titled "Nine Lives VI" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5" a...

This piece titled "Nine Lives VII" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5" ...

Fish Study by Hawaii artist Carol Bennett is a reverse painting on glass artwork. It is Oil, Varnish, Gold Leaf and powdered Cobalt. It is 9x12. Carol Bennett's artwork is a meditative journey through both the water and through life. She is one of the few artists to truly capture what it's like to be in and moving and swimming through the water. For Carol, the act of swimming underwater is similar to the process of painting. Her approach results in multi-layered surfaces that are intricate and textured and unexpected. She is constantly experimenting with her pieces: adding, subtracting, sanding. When she is not painting Swimmers, she is capturing the fish surrounding her. She has created over 100 large public and corporate commissions internationally, and is in private collections around the world. Carol Bennett was recently currently featured in two exhibits at the Honolulu Museum of Art. Networking and Water: Carol Bennett featuring female swimmers, as well as marine nets floating or submerged in water. Bennett was also part of the group exhibit Making Waves highlighting the important role of women artists in the museum’s contemporary collection. In this show, the works by international and Hawaii-based artists all have a relationship to water. Featured artists also included: April Gornik, Agnes Martin, Judy Pfaff, Kiki Smith and Pat Steir! Elisa Contemporary Art...

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

"Nearly Camouflaged Cow II" is a framed acrylic painting on canvas by Joshua Brown, depicting an abstracted cow with a realistic, detailed nose. This playful work features careful br...

“Tangier Basin” is a framed oil on canvas painting by Sherri Belassen, depicting an abstracted longhorn in a vibrant crimson. The artist’s technique of applying layers upon layers of...

78” x 42” ink and watercolor on paper, signed on reverse by the artist, Jesse Lambert. The abstract ground of washes of green, blue, orange and rose tones over white create an active field of color. The imagery of hummingbirds and bird feeders amongst graphic representation of trees, leaves and branches are created with defined black inkwork lines. Pattern and repetition with the vertical tree trunks, are intersected with cross sections of lumber with beautiful wood grain. This large scale painting is featured in "Shelter, Scatter, Feed" a solo show of new works by Jesse Lambert. Front Room Gallery is proud to present a solo exhibition of new works on paper by Jesse Lambert, titled, "Shelter, Scatter, Feed". This is Jesse Lambert’s second solo show at Front Room Gallery. In this exhibition, Lambert continues to explore themes of shelter, safety, and the passing of time. His ink and watercolor paintings on paper depict abandoned scenes in an abstracted rural space. In previous works, Lambert combined the spaces of domesticity and the natural world, with an occasional appearance of the human figure. His new work contemplates the new reality under COVID-19, and continues to evoke the universal need for shelter and protection. In these paintings Lambert imagines the world abandoned by human inhabitants, reclaimed by nature- as if the world has moved on, without us. In this series, 
Lambert’s familiar color washes have taken on a more natural hue. Lambert presents a grouping of medium sized paintings which explore the theme of birdhouses as a metaphor for human needs. The birdhouses are falling apart or incomplete, dysfunctional structures failing to meet their stated function. In his larger paintings, remnants of built structures of unknown use are scattered across a forested setting. Strips or planks of wood are nailed to tree trunks. A broken ladder promises ascent, but falls apart. Fragments of wood and string hint at former use, yet all vestiges of functionality have disappeared. Abandoned bird feeders swing precariously. Within the chaos of darting birds, falling leaves and flowers, and remnants of built space, a pattern almost emerges. These paintings emote a feeling of webbed interconnectedness that reveals the beauty of decayed things, and an allure of the poignancy of impermanence. In a series of smaller black and white drawings...

Man is an original contemporary artwork realized by Danilo Bergamo in the 1970s. Mixed colored oil painting on canvas. Hand signed on the lower margin. Fair conditions Danilo Ber...