Robert Piatek

"In the Beginning" Abstract, Brilliant Colors of Blue, Red, Yellow, Oil

2019

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...

Robert's brilliant abstract paintings are easily identified with energized aspects of the universe as in sun burst, nebula, black hole, or far away. His Zen practice allows him release from earthly concerns to soar amongst the stars. Robert Piatek...

"Untitled Abstract" is by the American painter, Robert Goodnough, known for calligraphy-like markings circa 1960s. Though he was associated with the Abstract Expressionists, Goodnoug...

This small multicolor abstract is an exemplary work of Mexican-American artist Nora Chapa Mendoza. This vibrantly colorful landscape is oil on canvas and exhibits the cool colors that evoke images of a Mexican or American Southwest desert sunset. The painting is signed by the artist and this work comes with the metal easel that is seen displayed in the photos. Nora Mendoza...

SALE ONE WEEK ONLY The energy and gusto of the applied paint in "Untitled Abstract" appears close to violent except for the calming influence of the circle in the middle. The red circle tempers the movement a little and brings all the strokes and wild directions into a harmony that is bursting with life. This is an extraordinarily expressive painting by Simpson. Simpson became the first African American to receive a prestigious five-year fellowship from the Charleston Scientific and Cultural Education fund and left South Carolina in 1949 for New York City after he finished high school. He attended New York University and Cooper Union while working in the frame shop of Herbert Benevy. Many well-known artists came to the frame shop and in time critiqued Simpson's work and developed a relationship with him. At NYU Simpson became acquainted with Hale Woodruff...

SALE ONE WEEK ONLY "Blue Nocturne" is full of rich deep blues contrasted by oranges, red, black and white. The abstract composition is bursting with energy that pours out of the pai...

Wesley Kimler (born 1953) an American artist based in Chicago, Illinois, is known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, th...

Alan Fenton (1927 - 2000) Pond I, 1958 Oil on canvas 81 x 90 inches Signed, titled and dated on the reverse Fenton's quiet and contemplative nonobjective paintings and drawings were...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 90 x 84 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting. More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers. Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets. He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 90 x 84 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widel...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 88 x 82 1/2 inches Signed on the stretcher Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting. More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers. Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets. He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract canvases...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 89 x 83 inches Signed on the stretcher Fenton's quiet and contemplative nonobjective paintings and drawings were widely r...