Sam Francis

Untitled (Iron Forest)

1989

Sam Francis Untitled (SFF.1704) 1994 Acrylic on canvas 38.1 x 45.7 cms (15 x 18 ins) Provenance: Estate of the artist, California, 1994; Galleri Faurschou, Copenhagen, June 1996; ...

Robert Motherwell Open #125: Jeannie 1969 Acrylic and charcoal on canvasboard 76.2 x 50.8 cms (30 x 20 ins) RM9796 P532 The title of this painting refers to Motherwell's elder daugh...

Robert Motherwell Elegy to the Spanish Republic No. 110C 1968 Acrylic and graphite on paper 15.2 x 20.3 cms (6 x 8 ins) Robert Motherwell's Elegies series represent one of the iconic motifs of Abstract Expressionism.  Based on a 1948 ink illustration the artist executed accompanying a Harold Rosenberg poem, “A Bird for every bird,” the drawing shows the hypnotically repetitive patterning of ovoids and vertical beams.  The stark contrast of the black ink on white paper references the symbolic use of the color black by artists such as Goya, Manet and Matisse to convey death, loss, and tragedy.  Motherwell was quite affected by the turbulence of the Spanish Civil War and alludes to the Spanish republic in his Elegies. Motherwell’s plumbing the depths of poetry, history, and primordial art in the Elegies is considered a hallmark of nascent Abstract Expressionist painting in its desire to "excavate" essential imagery of mankind. Motherwell, who originally trained as a philosophy scholar and later became of the great editors of 20th century art documents, grasped very early on the crucial importance that in order to contribute meaningfully to the canon of modern art, one must create a principle of aesthetics. Through the surrealist concept of automatism, the artist finally found the creative principle that eventually governed his extraordinary artistic output and produced the Elegies, one of the most salient, immediate painterly images of 20th century abstract painting. In fact, he has alluded to the fact that each one of his Elegies begins as an automatic drawing, and certain shapes are then blocked to create the signature armature of the vertical bars and ovals. The Elegies seem to possess the power of an archetypal image, an image the mind already grasps on a subconscious level. Motherwell's play of dualities of black and white as well as other dichotomies—the geometric versus the organic, chaos versus order, death versus life—was a condition of living through a tumultuous period in American history. During an interview, he vividly recalled the 1940s as the time when society was ordered by a set of contradictions.  In Motherwell's Elegies, he not only discovered an incredibly elastic pictorial language that would communicate on multiple levels but also acknowledged these contradictions in a manner that would resonate in abstract form.  The present work served as a model for a painting, Spanish Elegy...

Acrylic and pasted papers on canvas mounted on board 50.8 x 40.6 cms (20 x 16 ins) This collage includes a fragment of a 1985 print, Burning Sun. Although Motherwell signed...

Acrylic on paper 79.1 x 106.4 cms (31 1/8 x 41 15/16 ins)

Acrylic on paper 77.5 x 55.9 cms (30 1/2 x 22 ins)

“Conversation” represents the defining moment that one has with themselves around the decision to stay or leave the relationship. It is the final internal conversation where one has ...

"Breakfasts In Paradise" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful...

"Love dance" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful expression....

"The Cradle" is an abstract style painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful expression. About the artwork: TECHNIQUE: Acrylic, oil on canvas painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight: Approximately 4 kg. The painting is unframed. Dear art lovers, if you like the art of maestro Halimi, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. The paintings brings emotion of happiness, love, energy and beauty represented by the vast creative power of the artist's talent.” “The impressions of the artist's paintings on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination with its perfection. His paintings bring positive emotion of desire, possession and energy, represented by the vast creative power of his talent.” Maestro Simon Richard Halimi was born in Tunis on 2nd February 1943. He left his homeland 20 years later for France. In 1974 he was expatriated in Ivory Coast with frequent travel in central Africa and West. This requires him to maintain contact with his family and painting, many travel between Africa and France. He has been painting since the 1960s and has produced thousands of works. Since February 2003 he left Africa and dedicated himself fully to his art. SOME AWARDS: Lauréat du prix International Victor Choquet Lauréat au salon Populiste Musée d’Art Moderne Grand prix Interministériel au musée de la Monnaie Grand Prix C3D au Musée de la Monnaie Lauréat et diplômé de l’Académie Internationale de Lutèce Lauréat et diplômé de l’Académie Internationale d’Art Contemporain Diplômé de la Fédération Nationale de la Culture Française en qualité de “Créateur d’aujourd’hui". Prix du salon des Artistes Français 2004, décerné par l’Académie des Beaux-Arts Prix Paul Chabas, Institut de France, Académie des Beaux-Arts Médaille du mérite et dévoument aux Arts, Académie Mazarine Prix Michel Ange pour l’ensemble de l’oeuvre, Académie Mazarine Fédération Nationale de la Culture Française (Sélection du monde des Arts Plastiques). Académie des Beaux-Arts de Saint Louis (Titre d’Académicien Associé). Grand Baz’Art, prix de l’humanité et de la générosité. Collective Exhibitions Salon des Artistes Français Salon d’Automne Salon des Artistes Indépendants Salon d’Hiver Salon Populiste (Musée d’Art Moderne) Salon Interministériel (Musée de la Monnaie) Grand prix Victor Choquet (Musée de la Monnaie) Grand prix C 3 D (Musée de la Monnaie) Salon International de Lutèce Salon international d’Art Contemporain (I.A.C.) Europe-Art (Paris) Salon d’Art Singulier Salon Violet, prestige de l’art contemporain A2PAC - Invité d’honneur 2004 Ramp-Art - Avignon Art Contemporain 2000 Diverses expositions itinérantes en groupes en Allemagne, Italie, Belgique, Espagne, Afrique, Chine ... Hivernales LONDON ART - Salon Waldorf Palace Art SHANGHAÏ - Art contemporain WIK & AM - Wiener International Kunst - Vienne AUTRICHE Rouen National Arts - Biennale Courants d’Art Singulier Espace Rachi (Rétrospective) Personal Exhibitions Salon des Artistes Français Salon d’Automne Salon des Artistes Indépendants Salon d’Hiver Salon Populiste (Musée d’Art Moderne) Salon Interministériel (Musée de la Monnaie) Grand prix Victor Choquet (Musée de la Monnaie) Grand prix C 3 D (Musée de la Monnaie) Salon International de Lutèce Salon international d’Art Contemporain (I.A.C.) Europe-Art (Paris) Salon d’Art Singulier Salon Violet, prestige de l’art contemporain A2PAC - Invité d’honneur 2004 Ramp-Art - Avignon Art Contemporain 2000 Diverses expositions itinérantes en groupes en Allemagne, Italie, Belgique, Espagne, Afrique, Chine ... Hivernales LONDON ART - Salon Waldorf Palace Art SHANGHAÏ - Art contemporain WIK & AM - Wiener International Kunst - Vienne AUTRICHE Rouen National Arts - Bienale Courants d’Art Singulier Espace Rachi (Rétrospective) Galeries Valombreuse à Biarritz et Paris Galerie Climat au Sable d’Olonnes Galerie Zafira rue Mazarine à Paris Galerie 51 rue de Seine à Paris Les Galeries du salon Ivoire en Côte d’Ivoire Galerie d’Art du Palais au Touquet Opéra Gallery (Paris, Miami, New-York, Singapour, Londres) Gallerie “Art Passion” - Montpellier Gallerie 27 - Londres (rétrospective). Gallerie Hughes Pénot, La Baule Singul’Art - Lyon Tel-Aviv - YAFO (Rétrospective - 350 oeuvres) Gallerie d’Art des Pyramides GF & CO Gallery - Vienne - Autriche MEETING WITH THE ARTIST: A work of art must allow itself to be viewed in a calm manner, with you letting your mind wander and allowing yourself to daydream. All forms of creative and recreational cultural expression are or should be an invitation to travel. Music, literature, poetry, theater, cinema, painting, sculpture, photography, and so on, are no exceptions to this rule when they carry a stamp of sincerity. An act of expression can only be authentic if it is not motivated by the constraints laid down by obligations, by recognition. Painting, like other means of expression, is a cry, a feeling, a listening process, pain, joy... a realization or an epiphany to be shared with my family and friends and with people who go to my exhibitions. In the former case I experience a real moment of sharing, a kind of osmosis. A work - irrespective of what it contains - is only successful as an act of expression if it contains life, something to think about, feelings a pathway to an exchange, an invitation concerning it and the observer. If this communion takes place, then the work is a good one. When the architecture of a work, its theme, the balance of forms and colors, the mobility or freedom of the eye, the seeing, and the thinking, are all present in a kind of harmony, there are no longer any obstacles between a work and us. After painting for more than 50 years, I have had many opportunities during the course of my exhibitions to express myself with visitors who wanted to go through the mirror of the initial visual impression of a painting. I find their uncertainties and their desire to know - more than just view - touching. Other visitors view, sometimes view themselves, and then continue going around a gallery having ''read'' paintings in their own ways. Some people cast a disinterested passing glance, and, very sure of themselves, continue on their way. These people are sometimes in the majority. After having worked in conjunction with several gallery-owners, exhibited my work in France and abroad, I have never agreed to sign a contract. I never express myself on an imposed topic, work, based on an order, or work at a certain speed. Art cannot be dictated, it cannot be ordered. Life, time, kindness, love, madness, freedom, money, politics, the mind, the heart, its opposite, popular and honest art, all of life's facets and asses became my life. They are my reflective and observational canvas in terms of the content of my paintings. Developments, variations on forms have taken place, but never in relation to the basics of my process. On this journey I came across ''sand'', which can be found on the surface of my paintings from 1966 to 1998 - and occasionally after 1998. We are made of dust, and must return to dust. Humbleness is a watchword which is included in one way or another, in my paintings, by means of signs or of small sentences, and this is notably the case in relation to topics addressed concerning covetousness, temptation, greed, selfishness, hypocrisy, success at any price, lying, power, money, art for money's sake people, and so forth. I hesitated a very long time before writing about my painting. I believed that doing so was a bit like usurping the role of the ''watchers'', those people who prefer to have their own interpretation, and prefer to take the tome to uncover, in the meanders of my handwriting and my short sentences, the keys, crucial details and symbols in my works - what is hiding behind the initial image. When you read a good book or listen to music, you do not make decisions based on the title of the book or on the first note...

"The sacred asshole president" is an abstract and figurative painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of brig...

"Hot and cold" is an abstract and figurative painting by the French artist Maestro Simon Richard Halimi. Through his art, he has a very sharp and unique style of bright and colorful ...