Yohanan Simon

Surrealistic Landscape

1964

YURI MARTINEZ RAMOS "REST ME ON A CUCKOO CLOCK" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2020 48 X 36 INCHES I wrote these words for the ...

YURI MARTINEZ RAMOS "CHECKMATE" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2017 53.25 X 41.5 INCHES "Checkmate" is that great end-finale, that surprised everyone because you basically were playing or getting ready for a totally different game. An unexpected move from the governments who always have a "card up their sleeve" to screw you. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

YURI MARTINEZ RAMOS "PATCHES" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2012 40 X 30 INCHES Patches symbolize the destruction and erosion of Cuba. A ruined country stitched together by patches that blend the society like an old rag pant. The main buffoonery image depicts the old system, no more speech to play when you only have a broken instrument. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

YURI MARTINEZ RAMOS "SYMPHONY IN D-MINOR" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2005 40 X 30 INCHES Symphony in D Minor is the "music" Cuban people have to perform every day to survive a decadent system that has pushed people to the limit. A prostitute looking for living on the street, a musician playing for no tourist, a rounded stage that depicts the enclosing system from where you cannot escape, vigilant red birds are the government-symbol watching everywhere, controlling your miserable life. -D- minor instead of a chord is Destruction, Deplorable. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

YURI MARTINEZ RAMOS "THE FUNNY SIDE OF ME" OIL ON CANVAS, SIGNED CUBAN-AMERICAN, C.2005 20 X 16 INCHES This piece is a type of self-portrait where I try to show the ones around me, I also have a funny side. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

YURI MARTINEZ RAMOS "TOAST TO THE SEA" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2008 40 X 30 INCHES Toast to the sea is a depiction of the beautiful women at Miami beaches, sunny days, drinks, and having a good moment feeling. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

Surreal figurative abstract depicting a half man, half tree figure on a pedestal in a dream-like, abstracted white and blue space by Bay Area artist Michael Pauker (American, b. 1957...

Artwork size: 102,5x98 cm Frame size: 110x105 cm This artwork is accompanied by a certificate of authenticity signed by Alisée Matta. Provenance: Artist Jean-Pierre Jouffroy, Paris. The estate of the artist Jean-Pierre Jouffroy, Paris. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

This is a one of a kind original encaustic mixed media artwork by Tiffany Bociek. Its dimensions are 6.1 x 12 x 1.6 in. A certificate of authenticity will follow delivery. Created...

Bearing the Light, 1994 Oil on linen 46 x 48 in. (116.8 x 121.9 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactile...

"Two Seas and a Moon" Surrealism American Scene WWII Modern WWI Denver WPA Era Arnold Ronnebeck (1885 - 1947) Two Seas and a Moon 30 x 22 1/2 inches Oil on Canvas, c. 1943 Signed u...

Artwork Size: 24 x 16 in "Ceiba Tree" is an oil-on-masonite painting mounted on wood panel by Colombian artist Jorge Yances. This piece is part of the ar...