Yukari Edamitsu

Yellow Cloud, Abstract Painting on Canvas by Japanese Woman Artist

2016

Spring Field, 2018 is by Japanese woman artist Yukari Edamitsu. The theme of Spring Field, an oil painting on canvas, is the landscape (outer world) in...

Red Lightning, 2018 by Japanese woman artist Yukari Edamitsu is a 40" x 30" oil painting on canvas. Yukari's abstract paintings concern themselves with...

Fish, 2022 by a.muse is art on Japanese washi paper. The work on paper is colorful with wavy lines of pink fish swimming on the bottom of the sea. The painting on paper invites the viewer into a zen world with no beginning or end. Fish, a 30" x 20" x 3/16” acrylic, oil stick, and sand art on washi paper is signed, titled, dated on verso (back) by the artist Provenance: a.muse Studio *** Artist’s Bio: Mixed-media artist a.muse’s printmaking, collages, drawings, and paintings on paper and canvas tap into serendipity, happenstance, and lucid dreams. For the works on paper, a.muse employs acrylic, watercolor, oil sticks, sand, and organic matter. The abstract paintings on canvas integrate bright colors, found objects, patterns, shapes, and symbols. a.muse has exhibited in public and virtual spaces, including Jewell House NYC (2023), Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art fair (2020), Gallery122 New York pop up show (2019), Curate NY online group show (2013), among others. The artist lives and works in New York City. *** Available at 99Prints...

Waves, 2022 by a.muse is a painting on Japanese washi paper. In this colorful art on paper the artist celebrates color and rhythm through lines and stripes of orange, red, aqua, blue...

Tomorrow is Today, 2022 by Bai (Carl Karni-Bain) is a 10” x 8.75” contemporary acrylic and ballpoint pen painting on board. It is signed on recto (front) by the artist. Ships matted/framed: 17” x 15.5.” In the artist's words: "Colour becomes symbols I use to reflect emotional stages that humans experience – reds for the violent past, blues, greens for the peace to come, and yellow and oranges for the bright future ahead. The latter is not guaranteed in my paintings. However, I think it is attainable in life." ~Carl Karni-Bain (BAI), Harlem, New York City ***** Artist's Bio: For three decades BAI (Carl Karni-Bain) 1959- has exhibited regularly in the San Francisco Bay Area, North Carolina, and New York City. As an artist in over two dozen international art fairs since 2003, BAI has garnered an audience worldwide. In 2013 Thelma Golden, Director of The Studio Museum of Harlem selected BAI as one of the top 10 artists working in Harlem, New York City. He was also selected as one of the top 50 artists living in Manhattan. In 2022 Bai’s work was selected and sold at a Christie’s auction 100 Years of Harlem: Resonating Around The World. Bai's work is in private and public collections, including the University of North Carolina, Charlotte, NC, The Harrison Museum of African American Culture, Roanoke, VA, among others. Carl Karni-Bain's work has been included in numerous international art fairs including Miami, London, New York City, Hong Kong, and San Diego. ****** Available exclusively at 99Prints...

A metaphor for emotions, experiences and memories, Power Play, 2022 by a.muse is a contemporary abstract acrylic mixed-media painting․ The work is sewn wi...

Divide by artist Doug Freed is a deep blue contemporary abstract landscape oil on canvas painting that measures 72 x 96 and is priced at $18,000. Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the gray area between traditional landscape painting and its abstraction into color fields. Artist Statement For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes. I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger. I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The compositions are about ambiguities of form and void, foreground and background and surface and deep space. My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity. My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition. SELECTED PUBLIC COLLECTIONS K.U. Medical Center, Wichita, KS Museum of Art & Archeology University of Missouri, Columbia, Missouri Hoecht Marion Roussel (Commission), Kansas City, Missouri FBL Financial Group, Des Moines, IA Kemper Museum of Contemporary Art, Kansas City, Missouri Wichita Center for the Arts, Wichita, Kansas Daum Museum of Contemporary Art, Sedalia, Missouri The Newark Museum, Newark, New Jersey St. Louis Art Museum, St. Louis, Missouri Springfield Art Museum, Springfield, Missouri Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri Arkansas Art Center, Little Rock, Arkansas College of Architecture and Design, Kansas State University, Manhattan, Kansas Fort Hays, Kansas State University, Hays, Kansas Memorial Union Collection, University of Missouri, Columbia, Missouri Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas Hutchinson Community College, Hutchinson, Kansas Johnson County Community College, Overland Park, Kansas Lincoln College, Lincoln, Illinois State Fair Community College, Sedalia, Missouri Hallmark Cards Inc., Kansas City, Missouri Sprint Corporation, Kansas City, Missouri MacGraw Hill Publishing Co., New York City, New York Pioneer Hybrid, Des Moines, Iowa Pella Corporation, Pella, Iowa Fort Smith Public Library (Commission), Fort Smith, Arkansas Deloitte & Touche (Commission), St. Louis, Missouri Publishing Enterprises, Inc. (Commission), Sedalia, Missouri Parks & Recreation Department, Columbia, Missouri United Telephone Systems, Inc., Kansas City, Missouri American Family Doctors, National Headquarters, Kansas City, Missouri DST Corporation, Kansas City, Missouri Crown Center, Hallmark Art Collection, Kansas City, Missouri Hewlett Packard Corporation, St. Louis, Missouri Emerson Electric (Commission), St. Louis, Missouri Mark Twain Bank, Creve Coeur, Missouri Boone County Bank, Columbia, Missouri Landmark Bank, Madill, Oklahoma Septagon Industries (Commission), Sedalia, Missouri KEO Building Corporation (Commission), Sedalia, Missouri D & W Leasing, Sedalia, Missouri 1st National Bank, Rockford, Illinois Mark Twain Bank Shares, Ladue, Missouri Bank of Olathe, Olathe, Kansas Blue Cross/Blue Shield of Missouri, St. Louis, Missouri Cessna Aircraft...

Pastel pink, blue, and purple toned Venice Canal abstract impressionist landscape by American artist Jane Peterson. This painting depicts what seems to be an early morning scene feat...

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"Small Street" is a painting by Maestro Nina Ruseva. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. ...

"Landscape 1" is a painting by the Bulgarian abstract artist Nina Ruseva. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight:...

Mountain and Field - abstract painting by Maestro Nina Ruseva. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight: Approximat...