Yuval Shaul

Large Israeli Abstract Pattern & Decoration Oil Painting Yuval Shaul Steel Frame

Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

Genre: Modern Subject: Abstract Medium: Oil Surface: Board Dimensions: 16" x 19 3/4" x 1/4" Dimensions w/Frame: 19 1/4" x 23 1/4" Ernesto Linares Early Mexican Modernist Abstract...

Mixed Media Painting. About the artist: John Grande is a New York-based artist who reflects upon modern and contemporary culture with his constructed paintings, sculptures and mu...

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

Mixed Media painting. Vibrant colors. About the artist: John Grande is a New York-based artist who reflects upon modern and contemporary culture with his constructed paintings, ...

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

VF21 [2022] original Oil on aluminium mounted on MDF Image size: H:30 diameter cm x W:30 diameter cm Complete Size of Unframed Work: H:30 diameter cm x W:30 diameter cm x D:2cm Frame...

This abstract work by Chicago artist Patrick Fitzgerald belongs to a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptur...