George Henry Laporte

19th Century sporting horse portrait oil painting of a racehorse with spaniels

C1830

Thomas Baker British, (1809-1864) Cows with a Willow Tree Oil on canvas, signed & dated 1860 Image size: 14 inches x 11.75 inches Size including frame: 20.5 inches x 18.25 inches P...

Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...

Francis Calcraft Turner British, (c. 1782-1846) Standing Proud Oil on canvas, signed Image size: 19.5 inches x 23.5 inches Size including frame: 25 inches x 29 inches A well-executed early 19th century painting of an Irish red and white setter in a country landscape, by Francis Calcraft Turner. Irish setters were highly popular gundogs bred to hunt gamebirds such as partridges, grouse or pheasants. The Rossmore family of County Monaghan...

William Luker Snr British, (1828-1905) Sheep in a Sussex Lane with Pevensey Bay in the distance Oil on canvas, signed & dated 1875 Image size: 17.25 inches x 25.25 inches Size including frame: 23.25 inches x 31.25 inches A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond. William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition. By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution. He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905. Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...

Henry/Harry Maidment British, (1868-1942) Sheep Resting Oil on canvas signed Image size: 15.5 inches x 23.5 inches Size including frame: 22.5 inches x 30.5 inches Henry or Harry Ma...

William Watson Jnr British, (1847-1921) On the Mountains, Loch Awe Oil on canvas, signed & dated 1892, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 18.5 inches x 24.5 inches A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

This beautiful oil-on-canvas painting of sheep on a hillside, dated 1915 is by the British Victorian artist Robert Watson. Robert William Watson was born in Brighton, Sussex in 1855. He was the son of the highland landscape artist William Watson (1809-1871). In 1880, he married Alice Ashcroft and they moved to Aughton, Lancashire, England. They had three daughters, Gertrude, Beatrice and Florence. Watson came from a family of painters who excelled in Cattle and Highland landscape paintings. He exhibited a number of his works across the UK including Liverpool and Glasgow. Queen Victoria was an avid collector of Scottish works of art which made Watson's Highland scenes incredibly popular in the late 19th Century. Robert Watson’s works can be found in collections at the Williamson Art Gallery, Astley Hall...

These are original unique oil paintings by the artist. Henry Robinson Hall was a Victorian and Edwardian landscape painter, known for his oil and watercolour depictions of Highland c...

This is an original, unique oil painting by the artist William Watson Jnr., a Liverpool (Birkenhead) painter of animals and landscapes. He was the t...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

This is an original unique oil painting by the artist. Born into an artistic family in Doncaster, England during 1820. Best known for his equine art, of the same character as those of the elder Herring, including "The Home Farm," "The Homestead," "The Farm-Yard," etc.John F. Herring, Jr. was born in Doncaster, South Yorkshire c.1820, to the well-known 19th-century artist John Frederick Herring, Sr. (1795-1865), who at the time, was considered one of England's great Sporting and Equestrian artists, patronized by the English aristocracy. The father's mastery of the brush, and popularity with the nobility, served his son, Herring, Jr., well. Early on, John, Jr. was exposed to fine painting and wealthy patrons. Recent reference books state that Herring, Sr.'s first child was named "John Frederick Herring, Jr." and was born on June 21, 1815. John Herring, Jr. developed a love for painting, a passion also shared by his brothers Charles and Benjamin. Three of the four brothers became artists, painting in the same style as their father, often collaborating on a single painting. In the years after 1836, Herring, Sr., feeling threatened by the teenage John Herring, Jr.'s ability and growing popularity, began incorporating the tag "SR" at the end of his signature. John Herring, Jr. continued painting in the tradition of his father, the sporting and animal pictures...