Eugène BOUDIN

Entrée du port de Saint-Valéry-sur-Somme

EDOUARD VUILLARD (CUISEAUX, 1868 – LA BAULE, 1940) Femme sur un sofa (L’Attente) Vers 1903 Huile sur toile monté sur panneau 75,5 x 41 cm. Signé en bas à gauche « E. Vuillard » Provenance Theodore Duret, Paris ; galeire Bernheim Jeune, Paris ; Svensk-Fransk Konstgalleriet, Stockholm ; Carl Matthiessen, Stockholm ; Nore Lungren, Stockholm ; collection Bonnier, Genève ; Wildenstein & co., New-York ; Bibliographie I. De HOOR, Nägra franska malningar i Carl Matthiessens samling, Konstrevy, 1928, p. 8 ; I. De HOOR, La collection Matthiessen à Stockholm, L’Amour de l’art, vol. 11, 1930, p. 412, illustré ; Architectural Digest, May-June 1976, p. 64, illustré en couleurs ; Antoine SALOMON & Guy COGEVAL, Vuillard : Le Regard innombrable, catalogue critique de peintures et pastels, vol. II, Milan, 2003, n° VII-201, p. 644, illustré en couleurs. Exposition Stockholm, Svensk-Fransk Konstgalleriet, Uställning ung svensk Konst, 1938 ; Stockholm, Nationalmuseum, Frankrike genom konstnärsögon, 1941 ; Stockholm, Svensk-Fransk Konstgalleriet, Fransk Konst : ur privata samlingar i Stockholm, 1951, n°74 ; Stockholm, Liljevachs Konsthall, Cezanne till Picasso, fransk konst i svensk ägo, 1954, n°395, illustré ; Stockholm, Nationalmuseum, Fem sekler fransk konst, 1958, n°173...

BERNARD BUFFET (PARIS, 1928 – TOURTOUR, 1999) Treboul, le clocher et le rue Vieille (Finistère) 1975 Huile sur toile 89,5 x 130,2 cm. Signé en haut à gauche et ...

Berger au pied d’une fontaine dans un paysage Milieu du XVIIIe s. Huile sur toile 156 x 121 cm. Provenance Probablement vente anonyme, Rouen, Me Fournier, 10-11 mars 1975, n°260 ; Ve...

RAOUL DUFY (LE HAVRE, 1877 – FORCALQUIER, 1953) Calèche à Falaise 1905 Huile sur toile 78 x 64 cm. Signée en bas à gauche Certificat Fanny Guillon-Lagaille

KEES VAN DONGEN (ROTTERDAM, 1877 – MONACO, 1968) Nature morte avec poupée 1908 Période fauve Huile sur toile 61 x 46 cm. Signée en bas à droite « Van Dongen » et inscrit « Margoden » au dos. Provenance Collection Ezra et Cécile Zilkha. Cette œuvre sera incluse dans le Catalogue raisonné digital Van Dongen en cours de réalisation par...

MAURICE UTRILLO PARIS, 1883 – DAX, 1955) Le Marché à Montmartre 1924 Huile sur carton 38 x 51.8 cm. Signée et datée en bas à gauche « Maurice. Utrillo, V. 19...

Cover of The Saturday Evening Post Magazine, February 6, 1960 Caption: "The Cover: Artist John Clymer takes you to the summit of Washington state's Snoqualimie Pass, where they seem to have had a few snow flurries lately. Up there the moist westerly winds bump against sky-reaching peaks of the Cascade Range, with the result that the winds spill their contents before whistling dryly on down across the eastern slopes. Thus residents of places like Seattle living in a relatively balmy clime beside the Pacific's mild Japan current, can drive in an hour or two up to where skiing material is sometimes twenty feet thick if it's an inch. Indeed, when seasons overlap, a downlander might conceivably pick a rose and go skiing with it in his buttonhole. All of which, thanks to highway crews who blow off the blizzards, is a very felicitous geographic arrangement." John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Medium: Oil on Canvas Laid on Panel Signature: Signed and Dated Lower Left: Chris. A. MacLellan - 34 Sight Size 30.00" x 24.80", Framed 37.00" x 32.00" The Saturday Evening Post cov...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

oil on canvas 48” H x 36” W Nicolas V. Sanchez received his BFA from Kendall College of Art and Design in Grand Rapids, MI and his MFA from the New York Academy of Art. While at the...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...