Albert Dorne

An American Tradition, Saturday Evening Post, Advertisement

Medium: Oil on Canvas with an Element of Collage Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, February 27th, 1954. The Post described, “...

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed Upper Left "Dan Content 29" Story Illustration, Good Housekeeping Magazine, September 1929, pg 32-33 Biography: Daniel Content was born of Dutch parents and grew up in New York City. He attended New Eutriek High School in Brooklyn, NY. He studied under Dean Cornwell at the Pratt Institute as well as attending the Art Students League. Mr. Content worked as a freelance artist for about thirty years. He illustrated for such magazines as Colliers, Cosmopolitan, Readers Digest, and McCall's. In 1928 he illustrated the Windermere Series printing of Robin Hood. During World War II he traveled with the USO to Burma and India entertaining the service men with personal sketches. In the late 1950s he was an Art Director for Benton & Bowles in NYC. He also taught at the workshop School of Advertising Art. Mr. Content continued his sculpting and painting long after retirement. Some of his work can be found at Society of Illustrators in their permanent Museum. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art...

Medium: Oil on Canvas Signature: Signed Lower Left Probable proposed fuel advertisement or calendar illustration for Koppers Coke.

Medium: Oil on Canvas Signature: Signed and Dated illustration World War I scene, titled Will You Tell Her He's All Right, signed upper right and dated '17

Dilip Chaudhury - Kolkata Street - 30 x 28 inches (unframed size) Oil & Acrylic on Canvas Inclusive of shipment in roll form. Style : Dilip Chaudhury's works depict the Bengali countryside and his hometown Kolkata bathed in the monsoon rains. His black and white works are ever popular though of late he has been dabbling in colour. Dilip Chaudhury has been painting various scenes from everyday life of Calcutta & sometimes Banaras, in watercolour. From ancient monuments, streets & ghats, to a rickshaw puller in action, he is captured it all, beautifully. To somebody who has even a remote connection with Calcutta, he manages to bring a wave of nostalgia, as he symbolizes the character of the city of joy in his work. Like a true artist who has not been afraid of trying his hand at almost every subject and medium under the sun, Dilip has metamorphosed into a sought – after artist with a niche skill of creating above all, subjects of abundant beauty and character with a strong sense of perspective. A touch of red in his paintings symbolises optimism. Dilip has executed truly riveting canvasses, each of which has a unique story to narrate. They are not flat but have grandeur, movement, people and therefore, life infused into them. Sometimes Dilip uses his imagination to highlight the simple rickshaw puller of Kolkata. He creates stylistic compositions from unusual angles, which succeed in enthralling the viewer. About the Artist & his works : Born : Kolkata, West Bengal. Educational Qualifications : 1986 : Fine Arts Graduate from Indian Art College, Kolkata, 1st Class First with gold medal Art Appreciation Course from Information Centre, Kolkata, West Bengal. Solo Exhibitions : Birla academy All India Young faces, Kolkata Group Exhibitions : 2010 : Pink Ginger Art Gallery at the Jehangir Art Gallery Awards / Honours : 1993 : Award for best water...

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...

Original painting on canvas. Hand signed and dated on front; Signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

Jacob Ochtervelt (Workshop) The Grape Seller There are two known versions of this subject. This is a reduced variant of Ochtervelt's signed and dat...

Austrian genre painting of children in a classroom by Rudolf Geyling Austrian, late 19th Century Frame: Height 94cm, width 126cm, depth 8cm Canvas: Height 75cm, width 101cm, depth 2c...