Edward Lawson Henry

The Warning

Thaddeus Welch (American 1844-1919) The Columbian Exhibition, the 1893 Chicago World’s Fair 70 x 35”, oil on board signed Request Price The C...

David Solot, a dentist and painter, was born in Falciu (Romania) and settled in Paris in 1928. His art was surrealistic dentally inspired plus portraits and city landscapes. **************************** Translated from an article by Luana Hrisanti Rigot: "In 1956, at the Charlotte Norberg Gallery (Paris), he presented his first personal exhibition, composed of an ensemble of surrealist paintings of professional inspiration (dental elements). Two years later, at Gallery Royale (Rochefort), he exhibits another 50 paintings on the subject. At that time, a decisive event for the painter David Solot was made: a great new-York-born antibiotic producer Lederle Cy learns about his work and contacts him through the US Ambassador to Paris, proposing an advertising contract and buying the reproduction right for 24 of its canvases. A year later, the same company bought the right to print three of its cloths in color. This was the starting point of his international notoriety. In 1959, the American Dental...

David Solot, a dentist and painter, was born in Falciu (Romania) and settled in Paris in 1928. His art was surrealistic dentally inspired plus portraits and city landscapes. **************************** Translated from an article by Luana Hrisanti Rigot: "In 1956, at the Charlotte Norberg Gallery (Paris), he presented his first personal exhibition, composed of an ensemble of surrealist paintings of professional inspiration (dental elements). Two years later, at Gallery Royale (Rochefort), he exhibits another 50 paintings on the subject. At that time, a decisive event for the painter David Solot was made: a great new-York-born antibiotic producer Lederle Cy learns about his work and contacts him through the US Ambassador to Paris, proposing an advertising contract and buying the reproduction right for 24 of its canvases. A year later, the same company bought the right to print three of its cloths in color. This was the starting point of his international notoriety. In 1959, the American Dental...

A double sided painting. An urban realist painter of New York City genre, Reginald Marsh devoted his career to depicting people going about their everyday business including Bower...

Harry Jelinek (1905-1986) “Lady Posing in a Red Dress” Signed and dated 1965 Acrylic on board

Signed lower right and dated 1954. Bio: FASANELLA, RALPH (1914-97) was a self-taught painter who created large, colorful and intricate paintings of working-class culture and American politics from 1945 until his death in 1997. Fasanella had an artistic vision born of a working life. A child of Italian immigrants, he spent his youth delivering ice with his father and enduring the harsh regimen of a Catholic reform school. During the Great Depression, Fasanella worked in garment factories and as a truck driver. From his mother—a literate, sensitive, and progressive woman, Fasanella acquired a social conscience. Through her influence he became active in antifascist and trade union causes. Fasanella's political beliefs were radicalized by the Depression. His antifascist zeal led him to volunteer for duty in the International Brigades fighting fascism in Spain, where he served in 1937-1938. Upon his return to New York City Fasanella became an organizer for various unions, particularly the United Electrical, Radio, and Machine Workers of America, with whom he achieved some major organizing successes. In 1945, disillusioned by the labor movement and plagued by a painful sensation in his fingers, Fasanella started to draw. He left organizing and began to paint full time. He painted obsessively, capturing the vibrant moods of the city and the tumult of American politics. For a brief time he received some critical notice for his work, and had shows of his work in galleries as well as union halls. Fasanella included in his paintings a profusion of brightly colored details, showed interiors and exteriors simultaneously, and combined past and future. He populated his paintings with likenesses of family and friends. In 1950 Fasanella married Eva Lazorek, a schoolteacher who supported the couple through over two decades of artistic obscurity and blacklisting by the FBI. In the 1950s Fasanella retreated from political content in his works out of fear of reprisals. With the emergence of the New Left in the 1960s, however, his works became large, sharply focused political essays using images from the popular media. In 1972 Fasanella was featured in "New York" magazine and in an illustrated coffee-table book, "Fasanella's City". His large-scale, intricate paintings of urban life and American politics were then introduced to art critics and the public. In the late 1970s Fasanella spent two years in Lawrence, researching the 1912 Bread and...

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.

Oil on wood panel painting of a Worcester, Massachusetts view by local resident artist Mabel Blake. Signed M. Blake lower left. Circa 1880. Condition is good. The bucolic scene depicts a man in a boat...

Date: 1938 Medium: Oil on Paperboard Sight Size 20.25" x 13.875", Framed to 27.50" x 21.00" Signature: Signed Lower Right with Initials: N/R 'Philip found himself involved in a humi...

MARKET SQUARE Size: 37 x 42 cm (including frame) Oil onto paper laid to board A richly coloured mid century modernist figure scene, painted in oil onto paper laid on board, by the ...

G. Brundell Untitled, c. Early 20th Century Oil on canvas Sight: 10 x 18 in. Framed: 19 7/8 x 27 7/8 x 2 in. Signed lower left