Gaetano Chierici

” La Maschera ” 19th Century Antique Realistic Oil Painting On Canvas

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

The Painting is signed bottom left side Provenance: Notes: This is the full scale version of Ruth in Pharoah's Fields exhibited at the Royal Academy (now lost). Exhibited at the Bristol Art Museum, Birmingham UK Private Collection, Detroit, MI Description: Sir Edwin Long (1829-1891) was a renowned British painter known for his historical and Orientalist artworks. Born in Bath, England, Long displayed exceptional artistic talent from an early age. He received formal training at the Royal Academy of Arts in London, where he honed his skills and developed his distinctive style. One of Long’s oil paintings...

Provenance: Sold: Jackson's Auctioneers & Appraisers, Cedar Falls, Iowa, December 8, 2009, Lot 4 A Pompeiian Love Song" by Antonio Rivas (Spanish, 1845-1911) transports viewers back ...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

The painting is signed. Description: George Henry Boughton: A Master of Narrative and Natural Beauty George Henry Boughton, a distinguished Anglo-American artist of the 19th centur...

This beautiful painting was created in 1877 by the well-known French painter, Gustave Clarence Rodolphe Boulanger. Boulanger often produced work which combined the classical and Orie...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

The Crossing, 1855, by Theodore Frere (1814-1888) Oil on wood panel 9 x 14 inches unframed (22.86 x 35.56 cm) 17 ¾ x 22 ½ inches framed (45.085 x 57.15 cm...

Departure of the Caravan, 1834-1887, by Theodore Frere (1814-1888) Oil on wood 10 x 16 inches unframed (25.4 x 40.64 cm) 18 ¾ x 24 ¾ inches framed (47.625 x 62.865 cm) Signed on bott...

If Vogue magazine existed in the late 19th century, this sitter could be on the cover. The depth of her feminine beauty and sweetness is mesmerizing. She looks at you. You look ...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotion...