Items Similar to La Plage aux Andelys, oil on board by Georges Manzana Pissarro - Landscape
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Georges Manzana PissarroLa Plage aux Andelys, oil on board by Georges Manzana Pissarro - Landscape1930's
1930's
About the Item
La Plage aux Andelys by Georges Manzana Pissarro (1871 - 1961)
Oil on board
23.7 x 32.9 cm (9 ⅓ x 13 inches)
Signed lower left, Manzana Pissarro
Executed circa 1930
Provenance
Private Collection, London
This work is accompanied by a certificate of authenticity issued by Lélia Pissarro.
Artist biography
Like all second-generation Pissarro artists, Georges Henri ‘Manzana’ Pissarro initially worked under a pseudonym. Born in 1871, Manzana was the third of Camille Pissarro’s seven children, adopting the name ‘Manzana’ in 1894 after the maiden name of his maternal grandmother. It was not until around 1910, to honour his deceased father, that he employed his family name when signing his work.
Manzana studied with his father from an early age and spent his formative years surrounded by the distinguished artists associated with the Impressionist movement – Claude Monet, Paul Cézanne, and Paul Gauguin – who frequented the Pissarro home in Éragny. At his father's side he learnt not only to handle brush and pencil but also to observe nature and its changing qualities.
Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a young man he adopted his father's purely Impressionist style and produced a series of landscapes around Éragny. He exhibited Impressionist works at the Salon d'Automne and the Salon des Indépendants, as well as Durand Ruel and Druet galleries in Paris in the early 1900s.
In 1906 his work began to evolve. Inspired by Dr Mardus’ French translation of ‘A Thousand and One Nights’, Manzana embarked on a grand project to publish his own illustrated version of these magical tales. This pulled Manzana into the umbrella of the decorative arts movement where he flourished creating tapestries, glassware, furniture, ceramics and metal work, all inspired by Orientalism and often incorporating gold, silver and copper paint. In 1907 he had his first exhibition of decorative works at Vollard but it was the 1914 exhibition at the Musée des Arts Décoratifs in Paris which dramatically boosted his career. Here he exhibited 311 works including tapestries, carpets, furniture, glassware, decorative paintings, etchings and lithographs.
The subsequent years were filled with bright ideas, gilded costumes and a glittering lifestyle as Manzana navigated the 20s and 30s between Les Andelys and Paris, spending many summers in Brittany. These culminated in a series of colourful yet delicate new works which Manzana exhibited prolifically. When war broke out in 1939 Manzana moved with his family to Casablanca, where he remained until 1947. Manzana was married and widowed three times. The last years of his life were spent in Menton with his son Félix who was also an accomplished artist. There Manzana returned to the Impressionist tradition of his early years, painting the serene landscapes that surrounded him.
- Creator:Georges Manzana Pissarro (1871 - 1961, French)
- Creation Year:1930's
- Dimensions:Height: 9.34 in (23.7 cm)Width: 12.96 in (32.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261210804332
Georges Manzana Pissarro
Like all second-generation Pissarro artists, Georges Henri ‘Manzana’ Pissarro initially worked under a pseudonym. Born in 1871, Manzana was the third of Camille Pissarro’s seven children, adopting the name ‘Manzana’ in 1894 after the maiden name of his maternal grandmother. It was not until around 1910, to honour his deceased father, that he employed his family name when signing his work. Manzana studied with his father from an early age and spent his formative years surrounded by the distinguished artists associated with the Impressionist movement – Claude Monet, Paul Cézanne, and Paul Gauguin – who frequented the Pissarro home in Éragny. At his father's side he learnt not only to handle brush and pencil but also to observe nature and its changing qualities. Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a young man he adopted his father's purely Impressionist style and produced a series of landscapes around Éragny. He exhibited Impressionist works at the Salon d'Automne and the Salon des Indépendants, as well as Durand Ruel and Druet galleries in Paris in the early 1900s. In 1906 his work began to evolve. Inspired by Dr Mardus’ French translation of ‘A Thousand and One Nights’, Manzana embarked on a grand project to publish his own illustrated version of these magical tales. This pulled Manzana into the umbrella of the decorative arts movement where he flourished creating tapestries, glassware, furniture, ceramics and metal work, all inspired by Orientalism and often incorporating gold, silver and copper paint. In 1907 he had his first exhibition of decorative works at Vollard but it was the 1914 exhibition at the Musée des Arts Décoratifs in Paris which dramatically boosted his career. Here he exhibited 311 works including tapestries, carpets, furniture, glassware, decorative paintings, etchings and lithographs. The subsequent years were filled with bright ideas, gilded costumes and a glittering lifestyle as Manzana navigated the 20s and 30s between Les Andelys and Paris, spending many summers in Brittany. These culminated in a series of colourful yet delicate new works which Manzana exhibited prolifically. When war broke out in 1939 Manzana moved with his family to Casablanca, where he remained until 1947. Manzana was married and widowed three times. The last years of his life were spent in Menton with his son Félix who was also an accomplished artist. There Manzana returned to the Impressionist tradition of his early years, painting the serene landscapes that surrounded him.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1964
1stDibs seller since 2015
95 sales on 1stDibs
Typical response time: 8 hours
Associations
Society Of London Art Dealers
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Bretonne sous un Arbre by LUDOVIC RODO PISSARRO - Post Impressionist paintingBy Ludovic-Rodo PissarroLocated in London, GBBretonne sous un Arbre by LUDOVIC-RODO PISSARRO (1878 - 1952) Oil on board 33 x 41 cm (13 x 16 ⅛ inches) Signed and dated lower right, Ludovic Rodo 1903 Provenance Private Collecti...Category
Early 1900s Post-Impressionist Figurative Paintings
MaterialsBoard, Oil
- Brume et Soleil du Matin (The Seine at Les Andelys) by Georges Manzana PissarroBy Georges Henri Manzana PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Brume et Soleil du Matin (The Seine at Les Andelys) Oil on board 38 x 54.8 cm (15 x 21 ⅝ inches) Signed lower le...Category
1920s Post-Impressionist Figurative Paintings
MaterialsOil, Board
- Toits Rouges à Menton by Georges Manzana Pissarro - Landscape oil paintingBy Georges Henri Manzana PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Toits Rouges à Menton by Georges Manzana Pissarro (1871-1961) Oil on board 40 x 56.5 cm (15 ¾ x 21 ⅞ inches) Sign...Category
1950s Post-Impressionist Figurative Paintings
MaterialsOil, Board
- L'Orne au Pont de Vey by H. Claude Pissarro - Post-Impressionist styleBy Hughes Claude PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE L'Orne au Pont de Vey by H. Claude Pissarro (b. 1935) Oil on canvas 38 x 46 cm (15 x 18 ¹/₈ inches) Signed lower ...Category
21st Century and Contemporary Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- La Rivière by PAULÉMILE PISSARRO - Post Impressionist Landscape Painting, RiverBy Paul Emile PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Rivière (The River) by PAULÉMILE PISSARRO (1884-1972) Oil on canvas 92 x 73 cm (36 1⁄4 x 28 3⁄4 inches) Signed...Category
1930s Post-Impressionist Landscape Paintings
MaterialsOil, Canvas
- Crépuscule à Venise by H. CLAUDE PISSARRO - Post-Impressionist style paintingBy Hughes Claude PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Crépuscule à Venise by H. CLAUDE PISSARRO (b. 1935) Oil on canvas 38 x 46 cm (15 x 18 1⁄8 inches) Signed lower...Category
21st Century and Contemporary Post-Impressionist Landscape Paintings
MaterialsOil
You May Also Like
- "Place de la Bastille" French Impressionist Street Scene of Paris Oil PaintingLocated in New York, NYIn this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the Place de la Bastille busy street scene from the 20th Century with much life. The a...Category
Mid-20th Century Post-Impressionist Landscape Paintings
MaterialsBoard, Oil
- French Fauvist Provençal Village Scene. Mid-Century Oil on BoardLocated in Cotignac, FRFrench Mid 20th Century oil on board Fauvist view of a Provençal village street, probably near Nice in the South of France by Hyppolite Roger. The pain...Category
Mid-20th Century Fauvist Landscape Paintings
MaterialsOil, Acrylic, Board
- Post-Impressionistic Painting From Saint Cloud, Paris, 1912 by Dick BeerLocated in Stockholm, SEDick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...Category
1910s Post-Impressionist Landscape Paintings
MaterialsOil, Board
- Modernist Landscape Oil PaintingBy Donald Roy PurdyLocated in Surfside, FLGenre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved through a range of styl...Category
20th Century Fauvist Figurative Paintings
MaterialsOil, Board
- Fillette a la pousette - Figurative Post Impressionist Oil, by Victor CharretonBy Victor CharretonLocated in Marlow, BuckinghamshireSigned figure in landscape oil on board circa 1910 by sought after French post impressionist painter Victor Charreton. This charming piece depicts a young girl in a pink dress and ha...Category
1910s Post-Impressionist Figurative Paintings
MaterialsOil, Board
- Canal with Gondolas - Venice, Italy Figurative LandscapeLocated in Soquel, CABeautiful Pointillist depiction of an iconic Venice canal with gondolas by an unknown artist (Italian, 20th Century). Signed indistinctly lower right. Description on verso with indis...Category
Early 2000s Pointillist Landscape Paintings
MaterialsFabric, Gesso, Oil, Foam Board