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Grigory GluckmannComposition
About the Item
Grigory Gluckmann
Vitebsk 1898 – 1973 Los Angeles
"Composition"
Signed in Latin (lower right) “Gluckmann”
Born in Russia in 1898, Grigory Gluckmann studied in Moscow and eventually escaped to Paris in 1924. He received an enthusiastic welcome from both collectors and critics and participated in many exhibitions in Paris, London, New York, Los Angeles, Phoenix, and Dallas. It was Gluckmann’s brilliant technique and unique artistic vision that most effectively
displayed his exceptional talent.
Grigory Gluckmann worked in the classical style; his figurative paintings are wonderfully evocative of the Rubens forms and
Renoir riot of colour. The master’s creative philosophy possesses attributes of the exquisite style of painting, complexity of composition, emotionality and sensuousness of female images, fantasy, wide scheme of reflective colours, and classicality in symbiosis with modern vision.
Provenance:
The Collection of the Artist;
Dalzell Hatfield Galleries, Los Angeles;
Private collection, Switzerland.
Exhibited:
The Carnegie Institute, Pittsburg;
The Fifty-sixth Annual American Exhibition: Oil Paintings, The Art Institute of Chicago, Chicago, 1945;
Grigory Gluckmann, 2 February – 28 February, No 1, illustrated in the exhibition’s catalogue, Gump’s Galleries, San Francisco.
- Creator:Grigory Gluckmann (1998 - 1973, Russian)
- Dimensions:Height: 28.55 in (72.5 cm)Width: 36.23 in (92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zürich, CH
- Reference Number:1stDibs: LU2570212681922
Grigory Gluckmann
Grigory Gluckmann was born October 25, 1898, at the Lithuanian frontier. He was active in France. He was a Russian painter of nudes, typical scenes, engraver and illustrator. He studied at the Moscow School of Painting, Sculpture and Architecture until 1920, where he devoted himself mainly to drawing. Then he came to settle at Florence, and Paris, where he stayed for a long time. He loved to paint typical Parisian scenes of the nights of Montmartre, but it was for his nudes that amateurs sought him. By revealing sensuality through chiaroscuro, he often placed the nudes as bathers under tall foliage. He illustrated The Florentine Nights of H. Heine, Salvador Rosa de Hoffmann and Manon Lescaut of Abbot Prévost.
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