Items Similar to Maurice Asselin (1882-1947) A bouquet of roses and nasturtiums, Signed oil
Video Loading
Want more images or videos?
Request additional images or videos from the seller
Maurice AsselinMaurice Asselin (1882-1947) A bouquet of roses and nasturtiums, Signed oil circa 1930
circa 1930
About the Item
Maurice Asselin (1882-1947)
A Bouquet of roses and nasturtiums
Signed lower right
Oil on cardboard canvas
In good condition
39.5 x 31.5 cm
Framed : 58.5 x 51.5 cm
Maurice Asselin was particularly fond of painting bouquets of flowers, some of which I offer for sale on this site. Each of his paintings is a new departure in his choice of colours and composition. This one is characterised by the space left for the bouquet to breathe in the space chosen by the painter. This is undoubtedly why it appears remarkably bold and modern.
Maurice Asselin was born on June 24, 1882 in Orléans. He was a student of Fernand Cormon at the École nationale supérieure des Beaux-Arts but he compensated for academic teaching, which he disliked, with in-depth observation of Paul Cézanne and the Impressionists at the Luxembourg Museum and the Louvre.
Soon there were his first participations in Parisian exhibitions, the Salon des Indépendants in 1906 and the Salon d'Automne in 1907 (He became a member of the jury in 1910).
Asselin first met the writer Pierre Mac Orlan in 1910 in Moëlan-sur-Mer, and a long friendship followed.
Mac Orlan writes in his memoirs of the summer activities of Maurice Asselin and his painter friends Ricardo Florès, Émile Jourdan and Jacques Vaillant in Brigneau-en-Moëlan at La Mère Bacon “a small fishing inn perched on a rock, located at the entrance of the pier, which it overlooked".
In 1912, art critic André Salmon described Maurice Asselin as “one of the young painters most likely to succeed.”
That year also saw the first of the artist's many trips to London, with his first solo exhibition in February 1913. Between 1914 and 1916 he was the closest friend of Walter Sickert, for a time sharing the the latter's apartment in Red Lion Square. In the monthly column that Sickert wrote at the time in the Burlington Magazine, in December 1915, he made a comparative study of the paintings of Asselin and Roger Fry, which concluded that Asselin was superior. Each of the two artists painted the portrait of the other; the portrait of Asselin painted in 1915 by Sickert is now part of the collections of the Potteries Museum & Art Gallery in Stoke-on-Trent, while Asselin kept his “Portrait of Walter Sickert” at his home in Montmartre and later in Neuilly- on the Seine .
Asselin also stayed in Ashford in 1915 with another painter friend, Ludovic-Rodo Pissarro.
He was also close to Albert Marquet, their artistic companionship is evident in their way of composing and painting.
Maurice Asselin married Paton on September 17, 1919, a marriage which gave birth to three sons, Bernard in 1922, Jean in 1923 and Georges in 1925, and introduced the theme of motherhood into his work.
He died at his home in Neuilly on September 27, 1947.
“A beautiful work must, by its arrangement, its rhythm, the choice of the elements which compose it, satisfy the refined man, and, by the impression of life it gives off, move the simplest man. » – Maurice Asselin
- Creator:Maurice Asselin (1882 - 1947, French)
- Creation Year:circa 1930
- Dimensions:Height: 15.56 in (39.5 cm)Width: 12.41 in (31.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:
Maurice Asselin
Maurice Asselin is a painter and engraver, a member of the École de Paris. For the famous art historian, Bernard Dorival, Asselin was with André Dunoyer de Segonzac, Charles Dufresne, Paul-Elie Gernez and Henry de Waroquier, among the painters of the "realistic reaction" which to "idealism and photographic realism" of the academic tradition of the 19th century," prefer the frank realism of the Impressionists and the sincerity with which they questioned the nature. Against the unrealism of cubists, they pose as heirs of the independent masters of the third quarter of the 19th century. And Dorival strongly supports his statement by quoting our artist, "If you like painting, you will not only ask it to be a decoration for the walls of your home but first of all to be food for your life interior," thus professes Asselin who continues, "no brain combination, no theory can give birth to a work of art... Art springs from the marveled love of life."
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2018
1stDibs seller since 2019
210 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Paris, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Maurice Asselin (1882-1947) Anemones and daffodils, Signed oil on canvasBy Maurice AsselinLocated in Paris, FRMaurice Asselin (1882-1947) A Bunch of anemones and daffodils in a vase Signed lower left Oil on canvas In good condition 36 x 31 cm In its original frame : 51 x 46 cm Maurice As...Category
1930s Post-Impressionist Figurative Paintings
MaterialsOil
- Maurice Asselin (1882-1947) Saint Paul Church in Orleans, Signed oil on canvasBy Maurice AsselinLocated in Paris, FRMaurice Asselin (1882-1947) Saint Paul Church in Orleans Signed lower right Oil on canvas 38 x 46 cm In good condition In its original frame : 56 x 64 cm The subject of this pain...Category
1930s Post-Impressionist Figurative Paintings
MaterialsOil
- Maurice Asselin (1882-1947) A bunch of flowers in a vase, 1942, oil on canvasBy Maurice AsselinLocated in Paris, FRMaurice Asselin (1882-1947) A bunch of flowers in a vase Signed upper left, numbered and dated 1942 on the back Oil on canvas 35 x 27 cm In good c...Category
1940s Post-Impressionist Still-life Paintings
MaterialsOil
- Maurice Asselin (1882-1947) Le Masque blanc, oil on canvas, signedBy Maurice AsselinLocated in Paris, FRMaurice Asselin (1882-1947) Le Masque blanc (The White Mask) Signed lower right, Oil on canvas 35 x 27 cm In good condition In its vintage frame : 51 x 43.5 cm The white mask is ...Category
1930s Post-Impressionist Still-life Paintings
MaterialsOil
- Georges Louis Claude (1879-1963) A bouquet of blue flowers 1940, oil on paperLocated in Paris, FRGeorges Louis Claude (1879-1963) A bouquet of blue flowers signed with the initials GLC and dated "II 40" in the lower right oil on paper 62 x 47 cm In good condition traces of pins...Category
1940s Post-Impressionist Still-life Paintings
MaterialsOil
- Georges Louis Claude (1879-1963) Still life with fruits, 1938, oil on paperLocated in Paris, FRGeorges Louis Claude (1879-1963) Still life with fruits, 1938 oil on paper 32 x 40 cm In good condition In a vintage white frame, 41.5 x 49 cm, numerous lacks of white painting (see photographs please) Georges Louis Claude was born in Paris in 1879. The artist first studied at the Bernard Palissy School of Drawing in Paris. There he learned mythological and religious subjects, the art of portraiture, still life and of course, wall decoration, which became his favourite medium. His career began as an architectural decorator for the Galland house in Paris. He then collaborated with the orientalist architect Alexandre Marcel. Noticed at the at the 1900 Universal Exhibition, he decided to emancipate himself and presented his his own projects. It was at this time that Georges-Louis laude was to seduce some of the most influential personalities of their time with his talent. First of all King Leopold II of Belgium, followed immediately by Baron Empain became infatuated with the artist to decorate palaces and flats. In Belgium, Georges-Louis Claude was chosen to decorate the Royal Palace of Laeken (Japanese Tower...Category
1930s Post-Impressionist Still-life Paintings
MaterialsOil
You May Also Like
- Still Life - Oil Painting, Flowers, Floral, Figurative, Post-ImpressionistBy Magdalena SpasowiczLocated in Warsaw, PLMAGDALENA SPASOWICZ (1927) Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1...Category
Early 2000s Post-Impressionist Figurative Paintings
MaterialsOil
- Bouquet de dahliasBy Louis ValtatLocated in Jerusalem, ILA beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.Category
1940s Fauvist Figurative Paintings
MaterialsOil, Canvas
- Still life with flowersBy Constantin FontLocated in Pasadena, CAConstantin Font, born January 11, 1890 in Auch (Gers) and died in 1954 in Paris, is a French artist, painter of genre, nudes, landscapes, orientalist, sculptor and engraver. Outstand...Category
1940s Post-Impressionist Figurative Paintings
MaterialsOil
- Still life - XXI century, Oil painting, Figurative, Grey tonesBy Magdalena SpasowiczLocated in Warsaw, PLPainting on canvas, not mounted on stretchers MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts ...Category
21st Century and Contemporary Post-Impressionist Still-life Paintings
MaterialsCanvas, Oil
- Jean-René Chatelain, Carnation Vase, Oil on CanvasLocated in Saint Amans des cots, FROil on canvas dating from 1946 by Jean-René Chatelain. Beautiful canvas of a neo-realism soothed. Measurements : with frame: 81x72x7.5 cm - 31.9x28.3x3 inches, without frame: 68x58 c...Category
1940s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- The Lemon by Sharon Hockfield, Contemporary Floral Painting Oil on CanvasBy Sharon HockfieldLocated in Atlanta, GAA North Carolina native, Sharon Hockfield has always viewed life through a painter’s lens. She took art lessons at the Mint Museum as a young child, won numerous high school art awards and dabbled in art courses in college. Though her career in public education took her away from painting, it did not stop her interest. Travel always included art museums, galleries and botanical gardens. She describes her lifelong interest in gardening as “painting with plants.” In 2007, Sharon worked with artist Anne Cowie painting paper for her daughter’s wedding invitations. Feeling right at home with a paintbrush in hand, she began studying with Andy Braitman. She has studied with Tony Griffin, Wayne McDowell and Cynthia Packard...Category
2010s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
